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Let Them Drop (alt.) - Related Tracks

 

17 tracks, not registered with a PRO
24 tracks, registered with a PRO
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3. raven 03:08

A truly drama-filled riff-fest. Would suit a movie car chase or any adrenalised sport project. Right from the groovy ambient intro, big guitars pile in and carry you of into Riffland. The verse drops to a cool bass and drum groove until the chorus part's screaming guitar chords and pumping bass sweep you away with intensity. Contains guitars, bass, drums and strings.


raven
5. superfly 04:16

Irresistibly funky guitar based tune that makes your head nod and your foot tap. Big grooves, pimped-out feel and phat riffs combine with spacey chords and hard driving choruses. Slightly reminiscent of Satriani and Nuno Bettencourt in feel. Contains guitars, bass and drums.


superfly
9. Xtra large 03:41

A huge groove mother of a track. Whammyed guitars start this giant monster bouncer, followed by an irresistible drum and bass groove. The chorus brings the real hook of the track, a monolithic bass figure backed by squelchy synth bass. Guaranteed to go repeatedly round your brain. Third time round the chorus has an insanely intense lead solo over the top. Features guitars, bass and drums.


Xtra large
11. The rush 03:40

Siren synth sequences bring this track to life, before a huge drum groove joins them, taking the fever pitch higher. Finally incendiary heavy guitars collide into nail-biting life. A very groovy and powerful combination of sounds. Contains synth guitars, drums and bass.


The rush
12. Swagger 05:15

Powerful, intense, weighty, driven, determined riff rocker. slightly reminiscent of rage against the machine in it's groovy monster riffness. has a very tension-filled, soaring guitar solo towards the end. big guitars mix with huge drum grooves to make music that would suit sports/thriller/action projects


Swagger
21. Slam 05:04

A truly driven piece of adrenaline rock. Guitars and riffs everywhere backed by monster bass and drums. lead guitar takes the place of vocal melodies, soaring high into the stratosphere until the final lead solo bursts into flames. Foo Fighters meets Satriani.


Slam
23. Rampage 05:25

Pure rock drama! Waves of guitars and drums come crashing in on the intro synth sequence...intensity builds through the verse until the chorus attacks with full on guitars and staccato strings. The last chorus has 2 searing lead guitar solos to up the heat just one more notch. Contains guitars, bass, strings, synth and drums.


Rampage
29. Quark 04:49

Like Black Sabbath jamming with the Chemical Brothers and inviting Korn to join in. Hypnotic trashy beats, spacey synth leads and weaving bendy bass lines meld with huge blunt guitars. In the end section, things get quite out of hand as the Tsunami of guitars swamp the Electronica and pummeling ensues until the monster takes it's last breath.


Quark
30. Meathook 03:18

A no messing rock and roll track. Straight for the throat. Huge guitars and a massive throbbing beat...all with a slightly unconventional revolving drum feel and eastern style guitar melodies. The tune gets more gradually intense as it goes on. The mid section breaks down to a tribal tom groove until the final chorus section explodes.


Meathook
31. Khamaseen 04:53

A rather snakey and slinky track. Makes you envisage far off lands, camels, deserts, magic carpet rides, belly dancers etc. A heady brew of zither, bass, drum kit , zither, string section, turkish oboe, drum loops, electric guitars and piano. The mid section has big change in the mysterious mood but then the undeniable groove returns.


Khamaseen
32. Gelignite 05:32

Drama is the name of the game here. Synth sequences introduce layers of fat guitar and a monster drum groove. The intensity keeps rising until it reaches fever pitch in the mid breakdown before a searing lead solo brings things to a close. Contains guitars..loads of them, bass, drums and synths.


Gelignite
17 tracks, not registered with a PRO
24 tracks, registered with a PRO