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Ethnic steady Drum Beat and Big Church Choir opens for a Very Dynamic and steadily developing Orchestral Jubilant Uplifting Groove that sets us into both physical and spiritual motion lifts us to a Celestial Majestic High Point fades out with Tenderness and Solemnity.
A Tender Clarinet introduces us to a Very Devout Operalike Male Serenade accompanied by Lush Strings and Trumpet until Answered by an Indian Female with a Joyful and Positive response leading into a Big Orchestral Statement that Joins the two in a profound loving Duet. A very special Love Song
Big Ominous Greek church Choir opens up solemnly singing Jesus Christi, leading in to an Indian Male vocalist paying homage supported by Angelic female choir, Swirling Harp, Strings and a light Ambient Drum pad helping it all to faithfully cruise along in a very mellow way until taking a turn to reach a dramatic end
Short Japanese inspired track with ethnic instruments and a flavor of the east. Brimming with ethnic sounds such as Koto, Tambra and shakuhachi. The track builds into a nice warm resolution.
Mix of a rap-like vocal overlay and orchestral motifs...intense… the lyrics totally fit the dark, prophetic mood... unique in that the driving force (aside from the voice) is not a drum beat but an orchestral arrangement... has a strong taste of dark medieval times.
Cool, dark and brooding... Engaging overall beat... Asian sound with a dramatic vibe to it... with computer vocals quoting "To be or Not to Be"... good percussive background.
Addictive melody... sombre, yet optimistic, mood...Haunting, lush, provocative... Exotic chill-out at its best. Beautiful mysterious, mid-eastern sounds and mood, with a western touch... a hint of sadness blended with an uplifting, but still mysterious tension that holds the interest.
Mid-tempo Sprinkles of Metallic Arpeggio lead in to a Heartfelt Indian Male Vocal singing about Love or Happier Times Gone accompanied by Orchestral Strings and Percussion, Mellotron Choir carried along on a gentle steady bed of Ambient Drums and Caressing Harp
A middle eastern, Arabian sounding, epic, highly dramatic piece, featuring eastern chant vocals, large drums and percussion section, strings, choir and other ethnic instruments. After a foreboding, tense opening section, the main percussion and chant part comes in at about 52 seconds into the track.
Heavy and Dynamic Chinese Cymbals and Percussion open up for and carry an Arabian Woman’s Beautiful and Wholehearted Very Dance-Like Song about Spirituality and Love - joined by Orchestral and Ethnic Instruments in Harmonious Concert Raising the song and our spirits To New Heights Ending With Bliss. Very Eclectic and Epic at the Same Time.
An Indian Woman sings a Very Sweet, Serene and Earnest song about Love with Simple Ethnic Guitar Backing but is Joined By an Epic and Orchestral Instrumentation... with Big Choir and Solemn Male Chanting that Strongly Proclaim the Power and Great Importance of Love. An Ode to the Power of Unselfish Love.
Music to be transported by... intriguing. Soothing… Very peaceful and calming... opens with stunningly beautiful operatic female vocals, orchestral swirling and an open feel... Sprinklings of flute... breathtaking orchestral swells throughout... a dreamy, filmscape mood of sunsets and vast oceans... the vocals are ethereal and full of purity and beauty.
Sweet and Heartfelt... Beautiful uplifting mid-tempo orchestral Hymn to one of Chinese children's most beloved pets... the Erhu plays the major part in bringing East and West together in joyful ambient and contemporary classical harmony... rises to a majestic climax before it mellows out in a dreamy, happy, sparkling way.
Up-lifting, up-tempo, orchestral dance-like feast using most of the instruments in the symphonic orchestra joined briefly by power guitar cords at a majestic high-point and carried steadily by an ambient drum pad creating a very light and happy, celebrative pulse and mood.
A sorrowful and bittersweet ballad available with Hebrew vocals, or as an instrumental. A summary of the lyrics; a queen is singing her lament and sorrow, what good are all my riches, when I am so sad? The track has a Middle Eastern or Hebrew, Israeli feel and background. Lament, loss, sorrow, regret. The Instrumental version is good for background for travel, drama, ethnic mood etc.