Lost In Thoughts - Related Tracks
21 tracks, not registered with a PRO
13 tracks, registered with a PRO
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The fastest variation of the Theme from the first movement of Mozart's Piano Sonata No.11 sparkles with energy and vivacity. A wonderful and lively ending to round off the variations of the main Theme.
The fifth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is light and airy. The melodies climb up into the sky and carry you off on clouds of delight.
The fourth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is rather grand and regal. Full of grandeur and very stately.
The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.
A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.
Chopin composed many mazurkas, (a Polish folk dance), and this is one of his most familiar. Not too fast, but swirling and with a light playfulness, it has a calmer interlude before resuming the dance.
Bristling with energy, this lively waltz for solo piano surges with huge confidence and presence. Requires great skill from the performer to keep up with the pace. Regarded by some as the first of Chopin's waltzes to be published.
Gentle ambient piano piece. Mix of classical harmony with modern and electronic soundscapes. Inspired by the classical piano works of Erik Satie, and also by some of the works by Brian Eno.
Gentle ambient piano piece. Mix of classical harmony with modern and electronic soundscapes. Inspired by the classical piano works of Erik Satie, and also by some of the works by Brian Eno.
A piano solo that starts peacefully and delicately before rising to an emotional crescendo, then dropping back to a serene finish. An atmospheric piece that showcases Chopin's mastery of the piano.
Beautiful melodies glide with effortless grace at the start of this famous Chopin piano solo. It becomes more intense before a soft ending. Used in many productions such as the James Bond film 'The Spy Who Loved Me'.
A tender start to this lovely piano solo. The middle section rises with increasing emotion before settling down with the piece ending very much as it had started in a calm and peaceful way.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Anxious, Menacing, Ominous
Welcoming, Rippling, Yearning
Bittersweet, Brooding, Poignant
21 tracks, not registered with a PRO
13 tracks, registered with a PRO