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Prowling, Lurking, Scornful
catchy groovy song with nice horn licks, a bit more relaxed to the end
Western / Mexican style ballad. Shoot out at the OK Corrall! Twangy electric, Spanish guitars, church bell. Builds in stages over 3 choruses.
Like an unfolding story, a relaxing, calm and emotional track with two acoustic guitars.
A very inspirational track with a strong piano melody, inspired by Vangelis' "Chariots of Fire" etc. and very suitable for inspiration, achievement, dreams and aspirations. Inspirational, motivational, patriotic.
creates a kind of friction, a bit reduced at the begining and towards the end
Fresh Country-Rock with surprising twists and fills
Traditional western country boogie, with plenty of slide guitars.
A beautiful and emotional R&B, Soul ballad available with or without vocals. Beautiful RnB vocals and bluesy guitar lines with a soft pop production.
A fast, funny and hopping bluegrass country track featuring banjo and mandolin over guitar and bass. Lively, playful, cheerful and all-out american.
Powerful hard rock instrumental AC/DC style
Melodic electronica track with a science & technology feel. Uplifting, somewhat mechanical rhythmically, with very fluid, sweeping and swirling pads and textures. Digital melodics. Good for presenting data and information, media underscore, updates and information flow.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
The name says it - men riding into the sunset accompanied by all kinds of pathos and hubbub