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Elegant 1/202

 


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1503 tracks, not registered with a PRO
3535 tracks, registered with a PRO
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1. Dacha Polka 02:13

Uptempo Russian or Yiddish style Polka. Accordeon, bouzouki and voices over nylon guitars, bass and drums. Can be a Jewish celebration, traditional Greek folk music, Russian folk music, Gypsy music or Eastern European folk music. Available is also an 'underscore version' which cuts out the melodic/top instruments, leaving only the background groove.

Authentic, traditional Flamenco music with Spanish acoustic guitar, cajon and percussion (Palmas). Melancholic but passionate and slightly dramatic song – very unique music, perfect for movies, documentary or topics about Spain in general.

A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.

The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.

The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.

1503 tracks, not registered with a PRO
3535 tracks, registered with a PRO
 1             >] of 202


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