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The moment before, here tension is created in a different way, without pathos but very impressive, nevertheless sophisticated clear, hitting the point, useful for everything that deserves a good announcement. Soft arrpegiating analog synths with a steady pulse. Followed by atmospheric string layers with a hypnotic intention. It sounds all very visual and mysterious.
The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Alone the little Marsmobl cross the wide open spaces on our neighboring planet. Homesickness and nostalgia, the appropriate background to all this.
Epic orchestral track. Symphonic with dramatic elements and wide-bearing pads. Film music as it should be. The heroes are revered and celebrated.
Known from the computer games "Simon the Sorcerer", TGC; Publisher: Atari
Delicate and tender, this beautiful track conveys a longing hopefulness with a slight melancholic tinge. Slow and graceful, this was the very first work in the 'Lyric Pieces' first book by Grieg who regarded it as one of his finest melodies.
Vivid mixture between folky singer songwriter guitar parts and modern, hymnic pop rock. Compelling, fresh sound for lifestyle, sports and adventure!
Relaxed, ambient piano track with occasional acoustic guitar notes and soft pads. Melancholic, tender, impressionistic, inviting. A time for quiet reflection. Semi-classical; reminescent of the works of Erik Satie and Brian Eno. Available is also an alternative version which cuts out the pads, leaving only the piano and guitar.
Wistful, Dreamy, Foxtrot
Muted, Plaintive, Soft
A romantic reflective Irish song. Featuring flute, penny-whistle and cello.
A grand, epic, romantic piece of orchestral / symphonic film score music. Wide open fields, home lands, personal stories, adventure and epic tales. The piece plays for six and a half minutes and can be used for several different cues, or together as a whole. This track is recorded with a live philharmonic orchestra.
Extra-long meditation track for a fast recovery. Refill your energy tank!
Classical music box theme, orchestral prepared
This song, carried by piano, acoustic guitar, pads and soft percussions, is very smooth and emotional. Positive and empathic.
Minimalistic Sounds and a robot voice. Old-school production music.
String drone and ethnic flute. Dark, ominous, sparse, like the desert, savannah, mighty mountain ridges or vast open landscapes. Highly suitable for nature or travel.
Beautiful melodies glide with effortless grace at the start of this famous Chopin piano solo. It becomes more intense before a soft ending. Used in many productions such as the James Bond film 'The Spy Who Loved Me'.
Relaxed, ambient piano track with occasional acoustic guitar notes and soft pads. Melancholic, tender, impressionistic, inviting. A time for quiet reflection. Semi-classical.
All goodbye is hard, but with this background a little easier