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Doomful, atmospheric, western solo slide guitar.
Very emotional and sad track for documentaries about Asia, especially India.
Dark and sombre piece based on strings and piano. Very cinematic piece suitable for any dark, ominous drama or fiction.
A sweetly melodic & gentle piano piece.
A piano solo that starts peacefully and delicately before rising to an emotional crescendo, then dropping back to a serene finish. An atmospheric piece that showcases Chopin's mastery of the piano.
The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
Epic orchestral soundtrack with a powerful driving groove that relentlessly pushes forward creating a feeling of extreme intensity and urgency. Featuring cinematic trailer-esque style production with an exciting, suspenseful buildup to a strong dramatic climax. Good for sports and action sequences.
Light Country, Mellow, Relaxed, Easy
Godfather inspired haunting melody evoking a sad and nostalgic, poignant mood. Played on trumpet accompanied by acoustic guitar in waltz time with accordion interweaving a counter-melody. Perfect fit for Italo-American themed productions and more.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".