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Film Music 1/282
Film Music
Typical of film music is that music a) creates a functional and substantial reinforcement of the pictures, or b) assumes an emotional lead role. In contrast to a book, where it is possible for the author to prepare scenes, emotions, moods, etc. throughout several pages, the film director often has only a few minutes for this. Film music helps, therefore, to support the plots development at the mood and emotional levels. Here, the style or arrangement play less of a role.
1888 tracks, not registered with a PRO
5160 tracks, registered with a PRO
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Action spy tune featuring guitar, percussion and strings.
Get on the rickshaw and enjoy the ride through Delhi. Positive Indian background music with an exotic flavor to it.
Big orchestral action cue, adventures, epic and bold.
Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.
An American Christmas Dream, joyful symphonic jumble.
Floating string pads with ethereal female voice and penny whistle. Very peaceful and and introspective.
Enigmatic, Ominous, Uneasy
A romantic reflective Irish song. Featuring flute, penny-whistle and cello.
The minor key of this waltz gives the piece a melancholic, almost sad feel. The soloist plays at a medium tempo without straying too far from the initial melody, then a more optimistic section lifts the gloom before it returns to melancholy to finish.
A happy, joyful orchestral soundtrack piece in a 'big sky' style. Great open landscapes, new adventures, exciting and uplifting. Classic movie soundtrack style, highly suitable for movie production, western film or family adventure. Bright, promising, a positive outlook and grand new discoveries.
1888 tracks, not registered with a PRO
5160 tracks, registered with a PRO
