Typical of film music is that music a) creates a functional and substantial reinforcement of the pictures, or b) assumes an emotional lead role. In contrast to a book, where it is possible for the author to prepare scenes, emotions, moods, etc. throughout several pages, the film director often has only a few minutes for this. Film music helps, therefore, to support the plots development at the mood and emotional levels. Here, the style or arrangement play less of a role.
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A mid-tempo, melancholy and pensive live chamber orchestra piece with an expressive, haunting melody and a steady, clock ticking rhythm. Conveys the feeling of anxiously waiting or being suspended in time. With tender woodwinds, strings and harp.
A waltz for solo piano which conjures up images of Paris and popular song around 1900. The title translates into, 'I Want You', and reflects the sentimental nature of the track. A wonderful backdrop for European productions.
Cinematic and epic music for trailer, television and theaters. A full orchestra, a huge drum ensemble and a fat rock-band are the elements of this typical Hollywood sound. Motivated and thrilling !! Also you got an alternate version without the huge drums for talk-over purposes.
Apprehensive, Precipitous, Unsettled
The Sami, also known as Lapps, are the indegenous people of Northern Scandinavia. Hailing from northern parts of Norway, Sweden, Finland and Russia (the Kola Peninsula), their lives and appearance have a lot in common with Native Americans. Their music is dominated by the unique and easily recognizable Joik (or Yoik) which again lends similarities to the chanting vocal styles of Native American music. It is often accompanied by a simple hand drum beat.
Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.
One of Chopin's twenty four preludes which starts very quietly. A note repeats like the pitter-patter of raindrops. A more intense section rises like a heavy storm shower before fading away to leave us with the soft sound of the light raindrops again.
A serene start with beautiful melodies produces a sentimental and loving atmosphere. This contrasts with the more upbeat, almost dance-like passage which in turns into a dramatic, powerful and forceful section before returning to a calm ending. Used widely in advertising and film and TV productions.
The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.
A very popular composition which has been used on countless productions and adverts. A lilting melody above a waltz like accompaniment gets more complex and intense as we're taken on an emotional journey.
Rhythmic spy cue, with lots of percussion and bass. Driving and exciting.