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A strong rhythm of deep, ethnic percussion provides the base for this staccato, ominous and glorifying track with a dark fantasy feel. It builds gradually throughout, to a huge and overpowering tidal wave of orchestral brass, strings, war chants and a massive percussion section. Proud and majestic, but with a threatening, malevolent feel, like an army of dark beasts on the eve of war. Maybe even Pirates...
Dark and sombre piece based on strings and piano. Very cinematic piece suitable for any dark, ominous drama or fiction.
Popular and amusing, this piano solo by Dvorak is the most famous of his '8 Humoresques'. A loose and flowing track which has been used in many humorous settings. Great for conveying a little comical, witty or satirical feeling.
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
musical announcement of change, underneath exciting, drifting piano before swelling strings, although soft