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Film Music 7/319

Film Music

 


        7             >] of 319
1884 tracks, not registered with a PRO
6087 tracks, registered with a PRO
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A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.

164. Mountain Lake 03:05

Lyrical recorder & cello in a Clannad and Enya tinged piece. The track starts off with a soft Celtic music theme. After about 1 min 15 seconds it changes pace into a jolly forest dance, and then returns to the longing opening theme, before closing with Enya-like voice textures.

165. Hurry Up! 00:56

Quick! Hurry up! Time is running out!!! Quirky and time pressured track that drives with quick percussion and pulsing bass. A big crescendo awaits you at the end as the task gets completed (or not!) Great for time pressure scenes, documentary, quiz shows, reality and lifestyle shows. Hurry up!

The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".

1884 tracks, not registered with a PRO
6087 tracks, registered with a PRO
        7             >] of 319


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