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1473 tracks, not registered with a PRO
4540 tracks, registered with a PRO
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Epic trailer, movie soundtrack style. Powerful, soaring, rousing and glorious. Rise of a king or an awesome fighting force. A dark force element, great for fantasy, scifi, fighting, battle etc. Full orchestra with choir. Also available in a 'no choir' mix as well as a 'rock mix'.
Huge, epic and soaring track with full orchestra and choir. A strong, slow, pulsating rhythm, lifted by a glorifying, majestic choral chant, almost fanfare like. Rise of a hero or warrior, or the arrival of a majestic, overwhelming horde or fleet etc. Great for fantasy, adventure, scifi, trailers, sports trailers etc. Also available in a 'no choir' mix as well as a 'rock mix' with extra power.
Shake your feet and dance ! Good mood french-sytle electro funk with classical club elements from the 70s and 80s, vintage feeling included. String passages, funky basslines, guitars, amazing grooves and classic 80 EDM elements combined to get the french touch sound.
A rhythmic, dark, orchestral track of amazement and tension. Similar to the style/sound of Hans Zimmer music, this cinematic piece has a strong sense of nerve and drama.
Film scores: Amazement/Wonderment
Mysterious jazzy spy tune, featuring pizzicato strings, percussion and muted brass. Exploratory and suspenseful.
A very oriental fusion track with a great choir. There is a mythological and apocalyptic atmosphere.
Mysterious spy tune, featuring a moody trumpet. Unnerving and suspenseful
Full orchestra, exciting and epic in the style of “Lord of the Rings”.
Mysterious jazzy spy tune, featuring a vibraphone, trumpet , bass, strings and drums.
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.
1473 tracks, not registered with a PRO
4540 tracks, registered with a PRO
