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An emotional Italian love song in the style of “the godfather”. Featuring solo violin, mandolin, piano and orchestra.
This is how winners feel like.
Piano and acoustic guitar set up a moderate driving background for a purposeful melody and keep the tension over the entire track
The phoenix rises from the ashes – heroic film music Hollywood style. A calm beginning evolves to a big movie score with full orchestra, percussions and choir. The Phoenix (Greek ?????? Phoínix, from ancient Egyptian Benu: 'The reborn/The newborn son'; Latin Phoenix) is a mythical bird that burns or dies at the end of its life cycle in order to arise again from the decaying body or from its ashes. This idea can still be found today in the phrase "Like a phoenix from the ashes" for something that was already believed lost, but reappears in new splendour.
Dreamful, melancholic solo piano track with wonderful harmonies and a sad melody. Well suited to nature, seasons, documentary, but also to emotional movies.
Epic trailer, movie soundtrack style. Powerful, soaring, rousing and glorious. Rise of a king or an awesome fighting force. A dark force element, great for fantasy, scifi, fighting, battle etc. Full orchestra with choir. Also available in a 'no choir' mix as well as a 'rock mix'.
Shake your feet and dance ! Good mood french-sytle electro funk with classical club elements from the 70s and 80s, vintage feeling included. String passages, funky basslines, guitars, amazing grooves and classic 80 EDM elements combined to get the french touch sound.
This song gets started in an easy and airy way! Whistling, guitars, strings and a piano create nothing but a cheerful mood!
Dreamful and beautiful film music, Hollywood style. A fantastic and mysterious journey through a magical forest leads to an heroic fantasy adventure.
Enchanting stories and tales guide into the fairyland
Groovin and swingin to the delight of all dancing legs. Salsa as it should be.
Club-ready, extatic techno-trance with driving beats that'll make you move.
Calm and hopeful solo piano song with a very smooth and peaceful sound and beautiful harmonies. Inspiring, positive and relaxing.
Rousing, Muscular, Decisive
Floating space flight through distant galaxies, supernovas, and stardust fogs.
Uplifting, funny and cheerful track with a beautiful acoustic sound. With a happy ukulele, upright bass and drums. Talkover version.
An Italian village in party mood, good loop, very uplifting
The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.
A strong raising orchestra track in the style of "Jaws". At around 1:00 a new mood is presented to the listener: sorrow and desperation.
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.