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A somewhat celtic sounding folk dance tune, Reminescent of medieval ages / middle ages, perhaps a gathering at the local inn, or just the musical backdrop to a historical / fantasy world, Think "Ye Olde Barrel", old England, Ireland or Scotland, Could also be a Pirates' drinking song,
A charming, fun and happy track based on acoustic guitar and whistling. Care free, relaxed, easy going and casual, like a pleasant stroll. Taking it easy, enjoying life's simple pleasures, feeling supremely relaxed and at ease. Excellent track for hiking, strolling, gardening, or any off-beat, relaxed film, commercial, advertising, and much more. There is also an alternative recording where another acoustic guitar melody replaces the whistling.
Moody, vibrant, ethereal, exotic & lively Eastern dramatic track with great tension & underlying sadness & hope. spacey ethnic strings combine with frantic percussion & vocal chants to produce a powerful brew with awesome Middle-Eastern/Arabian flavour & rhythmic grace. would suit documentary/news/cinematic
A driving set of Irish traditional jigs, beginning with Morrison's, and leading into Out in the Ocean at 1:02 which is slightly more happy and upbeat in tone. Mandolin, fiddle, whistle and guitar play the opening, and when bodhran joins in at 0:31, you really get the feel for Irish traditional music - similar almost to Riverdance music. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A very lively and exciting orchestral track, full of wonder, amazement and grandeur, Somewhat whimsical and playful, this cue is suitable for fun action scenes, circus and acrobats, amazing feats and mischief,
A Christmas classic played by a music box. Perfect background music for greeting cards or Christmas spots. Elegant and reflective at the same time.
Flows pleasantly through space and through time, elegant and with a clear end
The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Hard, gritty, techno rock. Filtered and distorted bass guitar, processed drums and biting guitar riffs. Similar to Crystal Method or The Matrix etc. Full mix.
A wishful female voice with bagpipe and fiddle. Gentle and happy.
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Upbeat, lively and playful Irish traditional tune. Driving acoustic guitar accompanies fast paced fiddle in a toe tapping popular Irish reel. Heard a lot in pub sessions, this is a real attention catcher of a tune guaranteed to get you up out of your chair. 100% live performance.
A bossa nova oozing with confidence, definely "A" Team material to get the job done
A traditional Irish double jig (Haste to the Wedding) which moves into slip Jig (Kitty Come Down to Limerick) at 1:00. Pounding bodhran drives both spirited jigs which are played by fiddle and mandolin. Popular jigs in Ireland, heard around the country, these are valiant, glorious and an ode to older times. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.