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Shake your feet and dance ! Good mood french-sytle electro funk with classical club elements from the 70s and 80s, vintage feeling included. String passages, funky basslines, guitars, amazing grooves and classic 80 EDM elements combined to get the french touch sound.
Popular and amusing, this piano solo by Dvorak is the most famous of his '8 Humoresques'. A loose and flowing track which has been used in many humorous settings. Great for conveying a little comical, witty or satirical feeling.
Powerful, primitive, focussed, intense, determined, brutally heavy rock track with an industrial feel. Epic, glorious, passionate, dynamic, dirty & dangerous, with some arabian flavours. Crushingly suited to action / extreme sports / combat / military type projects.
An exotic, swaying, acoustic chillout track. With a very slight latin feel, this track is all about summer, holiday, relaxation, romance, silky smooth beaches and long, hot nights. Very tasteful, and excellent for travel, holiday or good times.
Classic 1960's, 1970's style funk-rock with a slick, modern sound. Funky bass line, Hammond organ. Fun and excitement, casinos and gambling, game shows, showtime. Jazzy and upbeat, exciting, Las Vegas. A little bit mischievous, cheeky. Takes on a more bluesy rock feel towards the end, with a blues guitar.
Mid-tempo country blues featuring dobro and a pedal steel top line. Nice and swinging, acoustic country with plenty of 'feel'.
A fast, funny and hopping bluegrass country track featuring banjo and mandolin over guitar and bass. Lively, playful, cheerful and all-out american.
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".