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The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
Mid-tempo swinging country blues, with plenty of twangy guitars and Telecaster picking. Electric slide guitars over bass and drums -- classic country stuff.
Mid-tempo country ballad with Dobro and a pedal steel top line. Classic country style, swaying and swinging.
Western / Mexican style ballad. Shoot out at the OK Corrall! Twangy electric, Spanish guitars, church bell. Builds in stages over 3 choruses.
Mid-tempo country ballad with Dobro and a pedal steel top line. Classic country style, swaying and swinging.
Light Country, Mellow, Relaxed, Easy
A beautiful and emotional R&B, Soul ballad available with or without vocals. Beautiful RnB vocals and bluesy guitar lines with a soft pop production.
Energetic twenties style jazz played by a live ensemble of guitars, clarinet and bass. This lively up-tempo track is a cross between a charleston dance and the music of Django Reindhart.
8 bit chip tune vintage track with a Christmas feel. Also could fit a video game, flash application, video for children, comedy. Uplifting, happy and positive.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".