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Game Soundtracks 133/153

Elektronische Musik >> Game Soundtracks

 

1342 Gemafreie Musiktitel
2480 (GEMA-Repertoire)
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Big sounding synths that resemble a distant roar set the mood of the track. The opening synthesizers build up to a major drop with huge drums and animal like digitized roars. The track breaks down into a wide slow moment with a melodic 80's style synth. The second drop brings even more of the bionic animal to the track building with big hits and drums. Suitable for game and movie trailers, as well as fight scenes, sci-fi and sports.


Bionic Animal (No Lead Synth)
3302. Breakout (No Choir) 01:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (No Choir)

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (Stronger Drums)

A dark, edgy and gritty, slow but aggressive Dubstep track. Mangled and distorted synthesizers stutter and pump, with a mechanical, robotic, relentless and hard edged beat. Atmospheric, unstable, nasty. Good for hardcore material including scifi, extreme sports, extreme motorsports, conflict and mayhem.


Darkest Day (Low Effect Filter Fade)
3308. Most Wanted 02:08

Drum and bass style track with a dub-step flavoured bassline. It starts off with a softer style bassline wobble until the first breakdown. A sharp acid synth is introduced in the breakdown and builds to the main drop. Growly acid synth shines in the second drop, and is surrounded by edgy drums and industrial noises. An alarm like sound trails off to the end of the track. This track goes well with car chases, car commercials, extreme sports, racing, fight scenes, chase scenes etc.


Most Wanted

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (No Drums Version)
3310. Trailer Madness 01:23

Edgy, distorted, mechanical sounding, with huge drums and bit-crushed, acidic synths. Very dark. Doom laden, with pounding percussion and a relentless, aggressive feel. Orchestral sounds mangled and combined with edgy synth work.


Trailer Madness

Gaming or adventure music with a relentless marching thrust that includes smouldering interludes shot through with flurries of eastern flutes. There is also a Contemporary Mix which adds Urban style drums for a hip-hop soundtrack feel.


Advancing Forces (Contemporary Mix)

Cutting edge collides with traditional sounds in this glitchy, dreamlike fusion of styles. Old meets new. Quicky. charming & poignant, it would suit science & technology, green issues, environment and modern drama. Similar in instrumentation and mood to the Michael Stephen Decker tracks, Speed of Night, Metallic Wasteland and Grace & Harmony. Please note: This track features deliberate digital glitches, odd scratchy sound effects. This is for effect, is done on purpose, and is not an error or problem with the file. A "no glitches" version is also available if you prefer it clean.


Circuits Of Beauty (Underscore Version)

Contemporary mix of orchestra and electronic instrumentation in this l lament to the passing of time. Pensive & thoughtful but offering hope and comfort with a haunting and memorable melody. Good for contemplative narrative such as poetry or prose and visuals such as time lapse. If you like this you may also like the Michael Stephen Decker tracks "Sky Dreams" and "Three Little Wishes".


The Hands Of Time (Underscore Version)
1342 Gemafreie Musiktitel
2480 (GEMA-Repertoire)