/
Bitte aktivieren Sie JavaScript um unsere Musiktitel abspielen zu können!
Klavier 1/311
2414 Gemafreie Musiktitel
5344 (GEMA-Repertoire)
Waveform wird in Kürze erstellt!
Alle Rechte vorbehalten. Kein Einsatz ohne vorherige Lizenzierung. Bitte seien Sie fair. Danke!
Popular and amusing, this piano solo by Dvorak is the most famous of his '8 Humoresques'. A loose and flowing track which has been used in many humorous settings. Great for conveying a little comical, witty or satirical feeling.
Harmonischer, ruhiger Jazz Song mit Wurlitzer, Klavier, cleanen E-Gitarren, Kontrabass, Schlagzeug (mit Besen gespielt), Saxophon und Trompete. Unaufdringliche, lässige Hintergrundmusik.
An exotic, swaying, acoustic chillout track. With a very slight latin feel, this track is all about summer, holiday, relaxation, romance, silky smooth beaches and long, hot nights. Very tasteful, and excellent for travel, holiday or good times.
ruhiger Groove, softes Piano, Sax im Hintergrund, trippiger Chill-Jazz
Zauberlehrling trifft sich mit Alice im Wunderland; stimmiger, orchestraler Soundtrack
Emotionale Trailermusik mit großem Spannungsbogen. Die ruhige Piano-Linie wird ab 1:24 von einem großen Orchester unterstützt - Production Music auch sehr gut geeignet für Werbungen und Imagefilme.
Light and calm, this is a wonderful track for tender moments, romance, weddings, sentimental nostalgia and background music .This familiar piano solo by J.S.Bach is from the first book of 'The Well Tempered Clavier'.
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
treibender, motivierender Rocktitel mit einer großem Pathos, viele orchestralen Einflüssen, Classic meets Rock.
Moderner Pop-Rock, der direkt ins Ohr geht. Motiviert, jung und sehr flexibel einsetzbar!
Bunt und filigran wie die australischen Traumfänger im zeitgemäßen Eso-Ambiente, bleibt am Thema, prima Background
musikalische Ankündigung von Veränderung, untergründig spannend, treibendes Piano vor schwellenden Streichern, trotzdem zart
Die dritte Variation des Themas aus dem ersten Satz von Mozarts Klaviersonate Nr. 11 ist langsamer und melancholischer als das Thema, verläuft aber dennoch anmutig schwankend.
The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
formal, pensive and slightly mournful classical piano piece.
Klavierarpeggios, atmosphärische Streicherpads und entschlossene Drums rocken drauflos und erschaffen eine seriöse, leicht sentimentale Production Music Stimmung.
Mainstream Dance Pop für jeden Geschmack, erzählen Sie Ihre Geschichte....
Melodischer Pop Rock mit eingängiger Klavier- und Rhodesmelodie, fetten E-Gitarren, E-Bass und treibendem Schlagzeug. Positiv, jung und motivierend, Production Music perfekt für Werbung!
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
2414 Gemafreie Musiktitel
5344 (GEMA-Repertoire)