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Solist 1/54

 


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435 Gemafreie Musiktitel
900 (GEMA-Repertoire)
Waveform

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A tender and emotional, warm and wistful piano on a bed of very subtle strings. Romantic, nostalgic, longing, true. Eternal love. Priceless moments, dearly held memories. An alternative version with only the piano itself (no strings) is also available.

The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.

Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.

Eine wunderschönes und melodisches China - Tibet - Malaysia - fernöstliches Instrumentalstück. Romantisch, schön und bewegend, mit Java Gong, chinesischer Tempel Flöte und verschiedenen anderen orientalischen Instrumenten. Geeignet für Reise-, Dokumentarfilme sowie Romantik und Idylle etc.

One of the most famous pieces of music for solo piano. Despite having the instruction, 'Lent et douloureux', (slow and painfully), this track is referred to for calm, relaxing and meditative purposes. Atmospheric and ambient.

The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".

435 Gemafreie Musiktitel
900 (GEMA-Repertoire)
 1             >] von 54


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