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Instrumental Rock 16/66

Rock >> Instrumental Rock

 


[< 16 >] of 66
407 tracks, not registered with a PRO
1233 tracks, registered with a PRO
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A solid dose of energy comes across in this infectious track somewhere between rock and electronica. Urgent synth patterns and slamming guitar riffs with tightly compressed drums. Great for sport, excitement, action or any high impact media with high energy levels.


Crash Course (Underscore Version)
386. Xtra large 03:41

A huge groove mother of a track. Whammyed guitars start this giant monster bouncer, followed by an irresistible drum and bass groove. The chorus brings the real hook of the track, a monolithic bass figure backed by squelchy synth bass. Guaranteed to go repeatedly round your brain. Third time round the chorus has an insanely intense lead solo over the top. Features guitars, bass and drums.


Xtra large
387. Wounded animal 05:57

A very dark , disturbed piece. It tells of an unseen malevolence, drawing ever closer to the point where the hairs on the back of your neck stand up. Huge down-tuned guitar riffs grab you by the jugular and toss you around till you plead for mercy. The end build-up takes the temperature ever higher to it's searing lead conclusion. Contains drums, bass and lots of guitars!


Wounded animal

A very slow folk / country / Americana track. Nostalgic, wistful, a little bluesy. Starts off with a single electric slide guitar, then adds organ, bass and drums. The are various versions available. The "No intro" version skips the first part with only the slide guitar. The "No drums" version (unsurprisingly) is without the drums.


Adios Amigo (No Intro Version)

A very slow folk / country / Americana track. Nostalgic, wistful, a little bluesy. Starts off with a single electric slide guitar, then adds organ, bass and drums. The are various versions available. The "No intro" version skips the first part with only the slide guitar. The "No drums" version (unsurprisingly) is without the drums.


Adios Amigo (No drums Version)
392. Quark 04:49

Like Black Sabbath jamming with the Chemical Brothers and inviting Korn to join in. Hypnotic trashy beats, spacey synth leads and weaving bendy bass lines meld with huge blunt guitars. In the end section, things get quite out of hand as the Tsunami of guitars swamp the Electronica and pummeling ensues until the monster takes it's last breath.


Quark
393. Rampage 05:25

Pure rock drama! Waves of guitars and drums come crashing in on the intro synth sequence...intensity builds through the verse until the chorus attacks with full on guitars and staccato strings. The last chorus has 2 searing lead guitar solos to up the heat just one more notch. Contains guitars, bass, strings, synth and drums.


Rampage
395. Slam 05:04

A truly driven piece of adrenaline rock. Guitars and riffs everywhere backed by monster bass and drums. lead guitar takes the place of vocal melodies, soaring high into the stratosphere until the final lead solo bursts into flames. Foo Fighters meets Satriani.


Slam
396. Steamhammer 04:18

Ten seconds of synth bass drama hail the entrance of monolithic downtuned monster guitars pile in and the riff-fest begins. The verse section's groove is based on a huge massive bass pulse groove and intriguinly mysterious synth pads. The chorus melds big guitars with a string section playing eastern scales....all quite exotic. As the mid 8 comes, the strings take over and add to the tension. Finally a searing lead guitar enters and plays, all the while building the tension, until the end, when the strings say goodbye.


Steamhammer
397. Swagger 05:15

Powerful, intense, weighty, driven, determined riff rocker. slightly reminiscent of rage against the machine in it's groovy monster riffness. has a very tension-filled, soaring guitar solo towards the end. big guitars mix with huge drum grooves to make music that would suit sports/thriller/action projects


Swagger
398. The rush 03:40

Siren synth sequences bring this track to life, before a huge drum groove joins them, taking the fever pitch higher. Finally incendiary heavy guitars collide into nail-biting life. A very groovy and powerful combination of sounds. Contains synth guitars, drums and bass.


The rush
400. Trance 04:03

Essentially a type of dance track with a pulsing beat and ... but one that has distorted 'guitar' like synth lines, breakdowns and soft cascading piano lines. Lots of melody hooks of different kinds ... from pianos, synths and hendrixy distorted electric guitars.


Trance
407 tracks, not registered with a PRO
1233 tracks, registered with a PRO
[< 16 >] of 66