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Instrumental Rock 17/66

Rock >> Instrumental Rock

 


[< 17 >] of 66
406 tracks, not registered with a PRO
1220 tracks, registered with a PRO
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405. Reservation Blues 01:31

Driving country rock, with a Native American flavor. Vocal chants join the main guitar melody. Performed on Dobro, electric guitars, bass and drums. Great mix of blues, folk, rock, Americana and Native American influences. The "Underscore version" omits the vocal chants and goes all instrumental.


Reservation Blues

A very slow folk / country / Americana track. Nostalgic, wistful, a little bluesy. Starts off with a single electric slide guitar, then adds organ, bass and drums. The are various versions available. The "No intro" version skips the first part with only the slide guitar. The "No drums" version (unsurprisingly) is without the drums.


Adios Amigo (No drums Version)
408. Wounded animal 05:57

A very dark , disturbed piece. It tells of an unseen malevolence, drawing ever closer to the point where the hairs on the back of your neck stand up. Huge down-tuned guitar riffs grab you by the jugular and toss you around till you plead for mercy. The end build-up takes the temperature ever higher to it's searing lead conclusion. Contains drums, bass and lots of guitars!


Wounded animal
409. Trance 04:03

Essentially a type of dance track with a pulsing beat and ... but one that has distorted 'guitar' like synth lines, breakdowns and soft cascading piano lines. Lots of melody hooks of different kinds ... from pianos, synths and hendrixy distorted electric guitars.


Trance
411. The rush 03:40

Siren synth sequences bring this track to life, before a huge drum groove joins them, taking the fever pitch higher. Finally incendiary heavy guitars collide into nail-biting life. A very groovy and powerful combination of sounds. Contains synth guitars, drums and bass.


The rush
413. Swagger 05:15

Powerful, intense, weighty, driven, determined riff rocker. slightly reminiscent of rage against the machine in it's groovy monster riffness. has a very tension-filled, soaring guitar solo towards the end. big guitars mix with huge drum grooves to make music that would suit sports/thriller/action projects


Swagger
415. Steamhammer 04:18

Ten seconds of synth bass drama hail the entrance of monolithic downtuned monster guitars pile in and the riff-fest begins. The verse section's groove is based on a huge massive bass pulse groove and intriguinly mysterious synth pads. The chorus melds big guitars with a string section playing eastern scales....all quite exotic. As the mid 8 comes, the strings take over and add to the tension. Finally a searing lead guitar enters and plays, all the while building the tension, until the end, when the strings say goodbye.


Steamhammer
416. Xtra large 03:41

A huge groove mother of a track. Whammyed guitars start this giant monster bouncer, followed by an irresistible drum and bass groove. The chorus brings the real hook of the track, a monolithic bass figure backed by squelchy synth bass. Guaranteed to go repeatedly round your brain. Third time round the chorus has an insanely intense lead solo over the top. Features guitars, bass and drums.


Xtra large

A very slow folk / country / Americana track. Nostalgic, wistful, a little bluesy. Starts off with a single electric slide guitar, then adds organ, bass and drums. The are various versions available. The "No intro" version skips the first part with only the slide guitar. The "No drums" version (unsurprisingly) is without the drums.


Adios Amigo (No Intro Version)
406 tracks, not registered with a PRO
1220 tracks, registered with a PRO
[< 17 >] of 66