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Hard hitting scary orchestra cue with lots of big dissonance hits.
An Action/horror/terror cue for full orchestra, Intense, scary and frightening inspired by Gustav Holst - the planets - Mars the Bringer of war
Hard driving scary orchestra with big hits.
A cut-to-the-wire breakbeat track with an ominous undertone and a strong forward drive. 165 BPM. This track exists in a 60-second version, a 30-second version and a 15-second version. There is also an alternative "drums and bass only" mix of the 30-second version.
Cool, uptempo kids track featuring house style drums, groovy tunes, 90's 'Korg M1' house style piano chords, melodic bass lines and lots of variation throughout. Highly suitable for a friendly kids action game, racing game or any other fun filled footage for kids and pre-teens.
Raw and dirty guitar riffing meets downtempo, slamming hip-hop drums. Powerful stuff, suitable for action footage, raw engine power, extreme sports, fighting and wrestling, or any dark, hard, cold, mechanical visual imagery. Confident and dominant.
Gritty, dirty, hip-hop with a hardcore rock element and drum'n bass style drums. Hard, dark, extreme, war mongering. Good for extreme sports and action filled footage. Grinding guitars with slamming hip hop / electronica drums. Also Available without the Check My Style vocal scats.
A fairly hardcore hip-hop / hard rock / industrial music crossover track. Aggressive, dirty and gritty, with downtempo, powerful drums and hard attack guitar riffs. Similar to The Crystal Method and Rammstein. There is an alternative version without the 'Bang goes the drum' vocal samples.
Slow moving creepy orchestra with lots of tension.
Groovy, positive and down-to-business electronica track suitable for exercise, aerobics, workout as well as for any sports, action or training footage etc.
Chase, battle, conflict - industrial percussion, synth pulse, orchestral backdrop.
Pulsating scene setter for action film chase or gearing up. Undercover cop, spy, SWAT team or secret agent moving in. Slow but with a very strong and determined forward drive. An element of mystery, conspiracy and intrigue. Perhaps high-tech warfare.
Positive and driving electronic trance groove, with occasional "otherwordly" atmospheres. Full mix.
Full Orchestra with Choir and percussion. Intense and Scary, Big Climax.
Fast Paced, Intense and packed full of action with quick staccato strings, big brass sections and lots of tension. Perfect for action sequences or at any time you need to inject some pace and tension into your project.
Time is running out and the pressure is on to get it done in this electrifying soundtrack that is full of adrenaline and energy. Driving strings, swelling brass, drums, percussion and SFX create a building rush of extreme urgency.
Reality TV inspired underscore with lots of exciting sonic twists and turns. Tribal vocal chants, indigenous drums and other exotic colors combined with traditional orchestral sounds create an intense underpinning full of urgency and suspense.
Reality TV inspired underscore with lots of exciting sonic twists and turns. Tribal vocal chants, indigenous drums and other exotic colors combined with traditional orchestral sounds create an intense underpinning full of urgency and suspense.
A frantic, percussion driven music track for a chase, battle or fight scene. Highly suitable for trailer, game, thriller or action film. Horn stabs and staccato, dissonant string stabs with busy percussion.
Electric guitars and exotic percussion fused with traditional orchestral sounds evoke a dark, intense mood of heightened suspense in this rhythmically driving soundtrack. Good for scenes depicting urgent danger, challenge or risk.
Electric guitars and exotic percussion fused with traditional orchestral sounds evoke a dark, intense mood of heightened suspense in this rhythmically driving soundtrack. Good for scenes depicting urgent danger, challenge or risk.
News update, fast flow of information, news broadcast, sports footage, information update, stock markets or breaking news with morse type signals. Exciting.