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All tracks by Wesley Devine
265 Tracks
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Funky, cheeky house/disco grooves with attitude, Combines some of the 1970's disco feel with house / dance beats of the 2000's and beyond, A bit raunchy, sexy, with a fresh, funky, confident strut, Fashion, hot club, retro chic, sizzling and pumping dance floor,
Combining elements of Pop, R&B, Funk, Soul and House, this is a mid-tempo, positive, groove track, The lack of any really outstanding solo / melody makes it good for background and media use, Uplifting and positive, without being too flowery, Strong, danceable groove, Suitable for city life, fashion & style, modern lifestyle, technology, uptempo lounge, fun in the sun, etc,
Hard, dirty, gritty and downright nasty piece of electro - meets industrial- meets rock'n roll. Grinding guitar riffs, hard slamming techno drums and siren-like synthesizer wails. Similar to the Prodigy or the Crystal Method. Brutal, dominant, aggressive.
A hardcore, full-on, no mercy electro-noise track in the style of the Prodigy or the Crystal Method. Howling synths, snarling guitars and slamming drums. Very high energy level, almost chaotic. Aggressive, dominant, nasty. Very suitable for extreme sports, fighting and war, action trailer or any other high impact action footage.
Very hard to categorize this track; it's a mystical, electronic, dark-dub influenced underscore / background groove, A sense of underlying movement, mystery and atmosphere, Good for crime drama, forensics / investigation, underscores for urban and technology based content, Has a sense of something uneasy, something intangible,
Dramatic hip-hop style with an orchestral element and a spy mystery feel. Deep bass line, dramatic string section and a pounding hip-hop beat gives a 'rough' urban sound and the marching snare gives it a serious edge. Good for inner city, street drama, police, investigation, suspense and action thriller etc. Also great for multimedia, branding and more.
Smooth and flowing drum'n bass. Mellow and energetic at the same time, with an element of acid jazz thanks to the muted jazz trumpet. Floating chords and drum & bass rhythms and deep sub bass.
A groovy electronic, downtempo, pulsating track with a positive and bright, uplifting feel. Slightly mechanical, technology based. There is also an Underscore version without the lead instrument, highly suitable for media presentations. Great for science, technology, new discoveries, industry and more.
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums, wah-wah guitar. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more.
Gritty, dirty, hip-hop with a hardcore rock element and drum'n bass style drums. Hard, dark, extreme, war mongering. Good for extreme sports and action filled footage. Grinding guitars with slamming hip hop / electronica drums.
A hardcore, full-on, no mercy electro-noise track in the style of the Prodigy or the Crystal Method. Howling synths, snarling guitars and slamming drums. Very high energy level, almost chaotic. Aggressive, dominant, nasty. Very suitable for extreme sports, fighting and war, action trailer or any other high impact action footage.
A nice and breezy, cool and summery chillout track. Smooth grooves, funky guitar lick, warm electric piano and a dub-like bass riff. Mellow and relaxed, like a summer holiday or a day on the beach.
Hard, dirty, gritty and downright nasty piece of electro - meets industrial- meets rock'n roll. Grinding guitar riffs, hard slamming techno drums and siren-like synthesizer wails. Similar to the Prodigy or the Crystal Method. Brutal, dominant, aggressive.
A fairly hardcore hip-hop / hard rock / industrial music crossover track. Aggressive, dirty and gritty, with downtempo, powerful drums and hard attack guitar riffs. Similar to The Crystal Method and Rammstein. There is an alternative version without the 'Bang goes the drum' vocal samples.
