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Filmmusik 271/286
Filmmusik
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1912 Gemafreie Musiktitel
5228 (GEMA-Repertoire)
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Dynamischer, pulsierender Opener mit zahlreichen Hits und Soundpads. Hervorragend für Intro, Trailer, Opener, Technik, Space, Science Fiction und Weltraum.
Dynamischer, pulsierender Opener mit zahlreichen Hits und Soundpads. Hervorragend für Intro, Trailer, Opener, Technik, Space, Science Fiction und Weltraum.
A typical baroque style piece. This was originally written by J.S.Bach as one of the movements in a suite composed for the lute. Popular with classical guitarists, it has a very rhythmical, almost march-like feel.
An emotional and complex piano solo which is alleged to be Chopin's attempt to reflect his unhappiness in Vienna. It has been widely used in films, (such as 'The Pianist'), and even in video games, 'Fallout 4').
Delicate lullaby for piano written by Chopin as variations on a theme. It showcases the inventiveness of the composer as ideas evolve. Lose yourself in this sweet and mellow composition.
A serene start with beautiful melodies produces a sentimental and loving atmosphere. This contrasts with the more upbeat, almost dance-like passage which in turns into a dramatic, powerful and forceful section before returning to a calm ending. Used widely in advertising and film and TV productions.
Chopin composed many mazurkas, (a Polish folk dance), and this is one of his most familiar. Not too fast, but swirling and with a light playfulness, it has a calmer interlude before resuming the dance.
this is strident and morose with its block chords in a minor key.
Only sixteen bars long, this is a beautiful prelude. Graceful, serene and delicate it allows the listener to relax and unwind in a calm and peaceful way. Used in many productions and commercials worldwide.
The start to this Chopin waltz is elegant and almost sedate. But then the contrast is shown by very fast sections that leave you whirling and spinning with delight.
The second on Debussy's Arabesques is faster, brighter and more lively. Although the two works are usually put in the '20th Century' classical music period, they are now being increasingly seen as a separate impressionistic style popular with European composers.
The first movement of this famous Mozart piano sonata has an initial theme followed by six variations based on that theme. Inventive and unmistakably Mozart it has loud and soft, as well as fast and slow variations.
The theme of Mozart's Piano Sonata No.11 is delicate and serene. The instruction 'Andante Grazioso', (walking pace, gracefully), produces a peaceful foundation to the six variations that follow.
Slightly faster and more playful than the introduction to the first movement, this is the first variation of the Theme from the Mozart Piano Sonata No.11.
More lively than the Theme from the first movement of Mozart's Piano Sonata No.11, this is the second variation which is sprightly and much more intricate.
The fourth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is rather grand and regal. Full of grandeur and very stately.
The fifth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is light and airy. The melodies climb up into the sky and carry you off on clouds of delight.
The fastest variation of the Theme from the first movement of Mozart's Piano Sonata No.11 sparkles with energy and vivacity. A wonderful and lively ending to round off the variations of the main Theme.
A bold introduction disguises the delicate melodies of this menuetto. Punctuated by light, dancing themes, this is a positive and confident second movement to Mozart's Piano Sonata No.11.
Quick, joyous and celebratory, this Rondo from Piano Sonata No.11 is one of Mozart's best known piano pieces and has been used in many film, TV and media productions requiring a fast paced and up-tempo soundtrack.
This gavotte, (French folk dance), for guitar is playful and buoyant. You can visualise the dancers from years gone by having fun at gatherings and parties. Fun and celebratory.
A delightful waltz for guitar by Francisco Terrega. Sweet and bright, the melodies jump around in a positive and upbeat way. The whole track is happy, lively and full of joy.
Brooding and oozing passion, this cross between Spanish flamenco and classical styles is one of the most famous solo guitar pieces. Popular and dramatic, it was in fact originally written for the piano.
1912 Gemafreie Musiktitel
5228 (GEMA-Repertoire)