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Soloist 5/41
430 tracks, not registered with a PRO
594 tracks, registered with a PRO
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A charming, fun and happy track based on acoustic guitar and whistling. Care free, relaxed, easy going and casual, like a pleasant stroll. Taking it easy, enjoying life's simple pleasures, feeling supremely relaxed and at ease. Excellent track for hiking, strolling, gardening, or any off-beat, relaxed film, commercial, advertising, and much more. There is also an alternative recording where another acoustic guitar melody replaces the whistling.
Piano music. A Philip Glass inspired track - dramatic and passionate, yet reflective and romantic. Perhaps depicting wwo lovers longing for each others powerful embrace, this piano duet deals with sorrow, hope, emotion, nostalgia and past events. Good film score / drama underscore for personal stories, real people and emotions.
Dramatic, Mounting, Suspense
Sweet, Sad, Gentle
The minor key of this waltz gives the piece a melancholic, almost sad feel. The soloist plays at a medium tempo without straying too far from the initial melody, then a more optimistic section lifts the gloom before it returns to melancholy to finish.
this is strident and morose with its block chords in a minor key.
Simple ethnic flute melody.
A dark and ominous piece with heavy use of the Taiko drum and japanese, chinese Gong. No melody, all percussion. Martial Arts, Japanese triads, dark, foreboding, military, historical, impending battle. Chase scene, etc.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.
Very atmospheric and dreamy Japanese winter garden style with echoey acoustic guitars, koto and shamisen over sparse oriental percussion.
430 tracks, not registered with a PRO
594 tracks, registered with a PRO