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Orchestral Jazz Segue with Punched Ending
Orchestral Jazz Segue with Punched Ending
Orchestral Jazz Segue with Punched Ending
Orchestral Jazz Segue with Punched Ending
Orchestral Jazz Segue with Punched Ending
Nautical, Spirited, Optimistic
Dangerous, Intimidating, Swaggering
Soaring, Expansive, Cinematic
Wavering, Infernal, Prowling
An upbeat, quirky and lively soundtrack with a herky-jerky, spiraling downward feeling that is good for scenes depicting falling from the sky, plummeting out of control and more. With a steadily descending melody and chaotic brass and drum accents.
A funky comical suspenseful spy track with a funky foolish edge. Imagine Mr. Bean starring in any James Bond flick.
Crazy big band, with brass and string bass.
Spooky but charming, this is a fun and a little bit scary, Halloween-style track combining rock and orchestral sounds. About half way through there is a nice "breakdown" section that cuts down to a few sparse sounds with spooky clarinet.
The Epic Series is a series of 26 individual music tracks. Semi-orchestral, semi-electronic soundtrack work inspired by Babylon 5, etc. Brooding, pompous, epic, military style. Some of these are grouped together -- i.e. Epic 1 calm, Epic 1 Suspense and Epic 1 Battle use the same instrumentation and underlying tempo, making them work well together. Of course, they work well individually too.
Suspenseful thriller underscore. Ticking rhythm giving a sense of counting down. Sneaky strings, spy-like electric piano. International conflict, thriller, inspired by the music in films like 'The Interpreter' and TV series like '24', etc.
A dark, pensive and very tense film underscore track using staccato string section, unintelligible whispers, ethnic percussion. A very serious tone which sets the scene for crime, thriller, international conspiracies, terrorists, etc.
full orchestra, very percussive
A very relaxed slapstick and big band number. In the very first part the piano doubled by pizzicato strings introduce the melody, then all string and woodwind players come into play. The middle section is carried by trumpets and trombones and form therefore a B-part which can be also used seperately.