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Easy Jazz for the Weekend Workout
This track is crying out for a new silent film era, real Bebop Polka. If you dont know what that means, just listen….
A smooth, lush and warm vocal pop track with a retro 1960's / 1970's sound. Think the Beatles and other 1960's-1970's flower power, also perhaps early David Bowie. Soft male vocal. Somewhat psychedelic, dreamy, trippy. Very pleasant sound, featuring all live instruments and string section.
Solo piano track with a somewhat quirky, perhaps retro or historical feel. Good for drama, story telling, maybe something old or classic, historical / history or just a story with a sense of the timeless. Emotionally this track is a bit playful but also hints to a darker side or the unknown, with a melancholic undercurrent. Perhaps a very slight Baltic, Russian or European feel.
Uplifting, poignant, wistful and joyous this melodic 3/4 signature acoustic guitar led theme swells to a peak with luscious strings & piano. A good underscore for visuals, storytelling, or a 'coming of age' narrative.
A procession of fire eaters, freaks and magicians mixed with the monochrome charm of a 1950's science fiction B movie. Mysterious, beautiful & grotesque in equal measures with just a pinch of ironic humour. A great Halloween track. There are two different mixes available: Version A has a "bubbly magic" sound which is not included in Version B.
Cheesy cool. Easy Listening meets Electronica. A happy flute loop with a big beat and bubbly synth, strumming guitar and choir using both major and minor chords. Perhaps Lilly Allen meets Narls Barkley with a bit of Divine Comedy thrown in.
A melodic operatic soprano swoops and glides over reflective orchestration in this enlightening & heart felt aria. Evoking the reminiscence of sad and moving tragedy or the wonderment of spiritual beauty. The piece builds from a single voice into a choir of angelic beauty for a climactic ending. Matched in style and character to the Michael Stephen Decker track, Celtic Requiem.
Mendelssohn "Song Without Words" Opus 19 No. 1. Michael Stephen Peterson’s arrangement of Mendelssohn’s piano opus gives the piece a beautifully distant and haunting quality.