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A semi-orchestra, semi-tribal, earthy, mystical backtround / underscore track for fantasy, exploration, adventure and travel. General background use, peaceful and slightly mysterious, but without really being particularly sad, happy, dark, light or emotional. Nice for exploring new worlds, discovery, fantasy games, adventure games, travel programmes, or background use for visual imagery, mystery and mythology, etc. Throughout the 7 minutes playing time there is NO repetition, so you can play this track in a loop for a long time without it getting too repetitive.
Traditional wedding music fom The Kangra region of Himachal Pradesh in India. The instruments used are the Pipdi - a reed blowing instrument somewhat similar to the Shenai used in other regions of India (Played by Mangal Ram from Bir Village), and the Nagara Drums - similar to the nagras in the plains (these are very old pieces) they are made of metal with skin stretched on the playing surface. The skin is tightened with straps that weave into the edge of the skin and meet at the centre bottom of the drums. Two drums are placed opposite each other and the drummer plays them with a cross stick action. The drummer here is Jondu Ram (father of Mangal Ram.) Please note: This is a genuinely live, on-the-spot recording, and as such, there may be slight flaws in the performance and recording.
Imagine a word at the edge of the galaxy, dark with mysterious creatures. This piece sets a Hollywood space scene, the use of vintage synths give a strange feel to the cue. Strong use of drums towards the later end of the song increases the mysterious feel and dynamic rage for an epic climax.
Orchestral Ambient, somewhat dark, mystical. Atmospheric. Nice as background music, sets the mood for exploring etc.
Mystical, Exploring, Swelling
Mystical, Exploring, Swelling
Airy, Flowing, Exploring
A sneaky and subtly pensive background / underscore track, suitable for mystery, discovery, exploration and for history / documentary etc. This is music that you don't really 'notice' as it doesn't stand out or grab the attention. It just stays in the background and provides a creepy, uneasy, mysterious atmosphere. Has a sense of dangers lurking nearby. The track is over 6 minutes long with no repetition at all, so it can be played in a loop for a long time without getting too repetitive. Can also be used for crime / criminal police / forensic investigation, puzzle solving etc.
Traditional wedding music fom The Kangra region of Himachal Pradesh in India. The instruments used are the Pipdi - a reed blowing instrument some what similar to the Shenai used in other regions of India (Played by Mangal Ram from Bir Village), and the Nagara Drums - similar to the nagras in the plains (these are very old pieces) they are made of metal with skin stretched on the playing surface. The skin is tightened with straps that weave into the edge of the skin and meet at the centre bottom of the drums. Two drums are placed opposite each other and the drummer plays them with a cross stick action. The drummer here is Jondu Ram (father of Mangal Ram.) Please note: This is a genuinely live, on-the-spot recording, and as such, there may be slight flaws in the performance and recording.