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Erik Satie

 

11 Titel mit dem Tag "Erik Satie" gefunden

7 Gemafreie Musiktitel
4 (GEMA-Repertoire)
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A waltz for solo piano which conjures up images of Paris and popular song around 1900. The title translates into, 'I Want You', and reflects the sentimental nature of the track. A wonderful backdrop for European productions.

Entspannter, Ambient Piano Track mit vereinzelten akustischen Gitarren und sanften Pads. Melancholisch, zärtlich, impressionistisch, einladend. Zeit für ruhiges Nachdenken. Semi-Klassik, errinnert an die Werke von Erik Satie und Brian Eno. Auch als Alternativ-Version ohne Pads erhältlich, nur mit Piano und Gitarre.

Gentle ambient piano piece. Mix of classical harmony with modern and electronic soundscapes. Inspired by the classical piano works of Erik Satie, and also by some of the works by Brian Eno.

4.

Fragments

03:27

Gentle ambient piano piece. Mix of classical harmony with modern and electronic soundscapes. Inspired by the classical piano works of Erik Satie, and also by some of the works by Brian Eno.

Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.

The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.

One of the most famous pieces of music for solo piano. Despite having the instruction, 'Lent et douloureux', (slow and painfully), this track is referred to for calm, relaxing and meditative purposes. Atmospheric and ambient.

Gymnopedie No.2 has an aura of sombreness about it. 'Lent et triste', (slow and sad), is the instruction to the player. Very atmospheric with a feeling of calm resignation. Huge amounts of space in the composition for thoughtful reflection.

Slow and grave, ('Lent et grave'), the third Gymnopedie is perhaps the most heartbreaking. The whole ambience is punctuated by mournful melodies that have become so popular in modern productions.

The second Gnossienne has the instruction, 'avec ?tonnement', (with astonishment), to instruct the player to play slightly faster than the other two pieces. Still has lots of space and freedom of expression.

7 Gemafreie Musiktitel
4 (GEMA-Repertoire)


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