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Light Latin Pop with a happy smile percussion combo, good mood brass section and a danceable piano groove. Not overloaded, but expressive.
Wherever the journey should go, this track provides the perfect background to it
Happy, uptempo "Hot Club of France" type jazz, performed on acoustic guitars. ("Boulangerie" is French and means Bakery).
A charming, fun and happy track based on acoustic guitar and whistling. Care free, relaxed, easy going and casual, like a pleasant stroll. Taking it easy, enjoying life's simple pleasures, feeling supremely relaxed and at ease. Excellent track for hiking, strolling, gardening, or any off-beat, relaxed film, commercial, advertising, and much more. There is also an alternative recording where another acoustic guitar melody replaces the whistling.
Cool and fresh Hip-Hop track in the style of MTV 'Cribs' etc. Downtempo, phat drums, deep funky synth-bass.
Muzak Elevator Up Positive Sunny Feelgood Nice Pleasant Joyful Smile Fun Leisure Infomercial Shop Fashion Designer Style Trendy Catwalk Retro Eighties 1980s 80s
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".