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A light acoustic guitar track, romantic and sweet. Perhaps slightly nostalgic or wistful. A mellotron string section enters and later also a bell melody. An underscore version is also available without the bell melody. This is a gentle and easy flowing instrumental track, hopeful, tender and romantic like never ending love.
this is strident and morose with its block chords in a minor key.
Upbeat Latin pop with the proper live feel, something positive for rainy afternoons
Calm and hopeful solo piano song with a very smooth and peaceful sound and beautiful harmonies. Inspiring, positive and relaxing.
An emotional Italian love song in the style of “the godfather”. Featuring solo violin, mandolin, piano and orchestra.
Groovin and swingin to the delight of all dancing legs. Salsa as it should be.
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".