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Easy
11890 tracks found with the tag "Easy"
4657 tracks, not registered with a PRO
7087 tracks, registered with a PRO
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Modern upbeat, groovy dancey track with an Indian , Arabian flavour. contains sitar, flutes, ethnic percussion, bass and drums.
Short Japanese inspired track with ethnic instruments and a flavor of the east. Brimming with ethnic sounds such as Koto, Tambra and shakuhachi. The track builds into a nice warm resolution.
An enchanting, atmospheric chamber orchestra piece that is ideal for evoking a magical, romantic ambience. Performed live and written in a style reminiscent of the French Impressionist composers Debussy and Ravel. With woodwinds, strings and harp.
Peaceful, upbeat jazz number with a slight touch of gospel. Ist about hopeful visions of life.
A moody and intense pop-rock track. Acoustic guitar and atmospheric noises on the verse parts and intense guitar textures on the chorus parts. Inner turmoil, love, heartbreak, growing up, youth drama.
Very relaxed and reduced ambient track, which is well-suited, to calm down. Perfect for yoga, autogenic training or meditation.
Mysterious jazzy spy tune, featuring a vibraphone, trumpet , bass, strings and drums.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
4657 tracks, not registered with a PRO
7087 tracks, registered with a PRO