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9475 tracks, not registered with a PRO
18287 tracks, registered with a PRO
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Dribbling, tackling, goals, fans and many more ... Brazilian and tropical percussion and Samba Pipes paired with Techno House beats and Trance elements for dancing playful World Cup compilation of pictures of the day. Also good for intros, trailer, presentation openings, creative cutting sequences and commercials. Let the Games begin!
A storm is coming, the clouds darken, a powerful storm moves on and the clenched fist of god is visible. Modern, dynamic, energetic epic orchestral score with Strings, Brass, Orchestra FX, electronic elements and impulsive beat. Perfect for monumental, heroic and dramatic, ahead moving presentations and trailers.
Versatile, serious, modern business Opener perfect for intros, trailers, openers and news. Fields of application are, for example, business, finance, stock market, technology, politics, science, medicine and research.
Pulsating electro basses, floating pads, groovy beats. Relaxing, descent in the background, but at the same time enervating. Perfect Underscore for technical and scientific 3D animations, product presentations and visualizations of innovative products.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
At that time the clarinet was in a completely different guise than today's, which was only reached in the middle of the 19th century. Nevertheless, Mozart was able to make optimal use of this instrument by drawing original and expressive sounds. The concerto is regarded as one of his best works and is of fundamental importance for clarinet lovers and clarinetists. It was originally composed for Bassettos Horn, an instrument close to Mozart's heart, which he almost always included in his chamber music works and in any case as a soloist: Of the first version, only a well-developed fragment of the only first movement has survived, along with some very incomplete sketches of the second and top movements. The accompanying ensemble is chamber music: oboes, trumpets and trombones are excluded whose timbre could have competed with that of the solo instrument[1]. The clarinet expresses itself with melodies that are sometimes soft, sometimes dramatic, but the tone is always calm. Of the three movements that make up the concerto, the proverb is that in which the melody touches the highest peaks and reaches moments of intimacy and moving melancholy.
9475 tracks, not registered with a PRO
18287 tracks, registered with a PRO