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Musik von Michael Stephen Decker
225 Titel
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A bouncy whacked out tune with a retro gaming feel and all the charm of a 1980’s synthesizer demo! Complete with cheerful drums & cheapo plastic instruments, this bubbly melody would suit cartoon graphics, micro games, commercials or quirky off beat comedy videos. Similar in style to the Michael Stephen Decker tracks Wacko Town, Big Cheese & Sambatastico.
A melodic operatic soprano swoops and glides over reflective orchestration in this enlightening & heart felt aria. Evoking the reminiscence of sad and moving tragedy or the wonderment of spiritual beauty. The piece builds from a single voice into a choir of angelic beauty for a climactic ending. Matched in style and character to the Michael Stephen Decker track, Celtic Requiem.
Cheesy cool. Easy Listening meets Electronica. A happy flute loop with a big beat and bubbly synth, strumming guitar and choir using both major and minor chords. Perhaps Lilly Allen meets Narls Barkley with a bit of Divine Comedy thrown in.
An eccentric, haunting melody hook is accompanied by intensional scratchy, swirling sounds that give an extra layer of oddness & charm to this quirky, offbeat tune. Darkly comical and yet strangely uneasy, this has a unique futuristic quality that is equally alluring & LOL funny. In a similar style to Circuits Of Beauty, Carnival Of Magic & The Hands Of Time.
Evoking memories of past loves and a sense of "life's long journey", this fairytale flute aria has a crisp melancholic melody that dances through a bed of glistening glokenspiel & rich, lavish strings. An alternative 'heartbeat' version offers a subtle 120 bpm pulsing rhythm.
Evoking memories of past loves and a sense of "life's long journey", this fairytale flute aria has a crisp melancholic melody that dances through a bed of glistening glokenspiel & rich, lavish strings. An alternative 'heartbeat' version offers a subtle 120 bpm pulsing rhythm.
An orchestral track suitable for a fantasy adventure, set in a medieval or fantasy world. Exciting times ahead, new discoveries. The track goes through various different stages and offers several different editing options within the same track. Pensive, tense, excited and glorious.
Childrens Music & Comedy
Classy piano accompanied by jazzy percussion in a playfully assured arrangement. This loungy retro-style theme has a laid back ending would make it suitable as a title sequence or in reality style programming sequence.
Tensile, unearthly washes stretched over a deep sonic rumble. Ominous, discordant & menacing. Very uneasy, sneaky, mysterious, a little bit psychotic.
Mendelssohn "Song Without Words" Opus 19 No. 1. Michael Stephen Peterson’s arrangement of Mendelssohn’s piano opus gives the piece a beautifully distant and haunting quality.
Uplifting, poignant, wistful and joyous this melodic 3/4 signature acoustic guitar led theme swells to a peak with luscious strings & piano. A good underscore for visuals, storytelling, or a 'coming of age' narrative.
A sense of impending doom builds from distant bells to sinister cellos, drums & a climax at 2:45.
A zealous orchestral romp packed with action & excitement. Thrilling, intrepid & heroic.
Floating through wide open spaces, rivers and canyons these dreamlike baritone guitar licks are as laid back as a campfire under the stars. Subtle, dreamy washes give this retro style Country & Western a futuristic twist.
Modern, atmospheric electronica suggesting optimism, discovery and inspiration. Evoking feelings of aspiration and security and a sense of wonderment with mysterious depths. A brighter tomorrow for Ecology, travel, science & technology and the Natural World. Similar in style and instrumentation to other Michael Stephen Decker tracks such as Three Little Wishes, Speed Of Night, The Hands Of Time and Sky Dreams.
Modern, atmospheric electronica suggesting optimism, discovery and inspiration. Evoking feelings of aspiration and security and a sense of wonderment with mysterious depths. A brighter tomorrow for Ecology, travel, science & technology and the Natural World. Similar in style and instrumentation to other Michael Stephen Decker tracks such as Three Little Wishes, Speed Of Night, The Hands Of Time and Sky Dreams.
Heavy weight, thumping dance track with a seriously low bass line, dirty stabs and a quirky, squeaky synth that dances and jitters restlessly. Robots, machinery, technology, future, cutting edge, high-tech.
Exciting, edgy and modern. A relentless vision of futurism packed with lo-fi guitar and warped drum layers. The track builds towards an eerie, distant riff that charges full tilt towards a glitchy, fidgety ending. Visceral and oddly compelling.
These short incidental bursts of busy pizzicato string sequences will sit comfortably under narrative or as an accompaniment to bustling imagery. The short bursts are punctuated with silences making them easy to edit into any duration.
