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A fun, quirky and upbeat cartoon march. Featuring bassoon, tuba, xylophone, bass clarinet, pizzicato strings, glockenspiel and cup mute trumpet.
Impulsive Brit-Pop with a touch of bombast
Sentimental love-rock song, stirring and atmospheric
A bit like the house of the rising sun in 2010
A beggars flute merrily expresses the old wisdom that money alone brings no happiness. But this track do....
Rave as Rave as, spartan, up to the point
Electro-Pop-Rock, spacey and melodic, with funky breaks and fills
Future music for the next Christmas
American, patriotic style track with strings and trumpet. Dignity, honor, freedom, values, and a slightly military style arrangement. Available with or without marching snare drums.
Pulsating electro basses, floating pads, groovy beats. Relaxing, descent in the background, but at the same time enervating. Perfect Underscore for technical and scientific 3D animations, product presentations and visualizations of innovative products.
An up-tempo, happy and rhythmic retro pop track with a pleasant and lively vibe. With authentic 1980’s synthesizer sounds and drum machine beats. Evokes a bright and cheery, nostalgic eighties mood good for positive and uplifting, inspiring media.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".