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Filmmusik 3/285
Filmmusik
1898 Gemafreie Musiktitel
5221 (GEMA-Repertoire)
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Motiviert und fröhlich kommt dieses mit akustischen Instrumenten eingespielte Stück daher. Ideal für Themen rund um Sommer, Kinder und gute Laune…
Dramatic spaghetti-western guitar tune with trumpet and orchestra. Dark and sad.
atmosphärisches Orchester, viele unterschiedliche Passagen, bleibt immer interessant
Hi-End Trailer Soundtrack für Action/Thriller/Horror-Szenen, hochwertiges Sound-Design und fesselnde Impacts bauen sich mehr und mehr auf zu einem brachialen Action-Metal-Thema, bei dem niemand mehr still sitzen bleibt.
A melodic orchestral theme with a percussive, upbeat, and celebratory feel. This piece hearkens back to the cowboy themes of the Golden Age of Hollywood Western movies. The piece would work well as a title track or main theme for a Western themed production, or in a scene featuring celebration or revelry.
Ein verspielter Electro-Swing mit Saxofon und elektronischen Effekten. Passend zu Party, Hoffnung und Dokumentation.
anmutig, entspannend
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Light and calm, this is a wonderful track for tender moments, romance, weddings, sentimental nostalgia and background music .This familiar piano solo by J.S.Bach is from the first book of 'The Well Tempered Clavier'.
Godfather inspired haunting melody evoking a sad and nostalgic, poignant mood. Played on trumpet accompanied by acoustic guitar in waltz time with accordion interweaving a counter-melody. Perfect fit for Italo-American themed productions and more.
A romantic reflective Irish song. Featuring flute, penny-whistle and cello.
Erhebende, positive Filmmusik im Stil von John Williams. Motivierend und inspirierend. Denkbar als Openener oder Trailer.
The second Gnossienne has the instruction, 'avec ?tonnement', (with astonishment), to instruct the player to play slightly faster than the other two pieces. Still has lots of space and freedom of expression.
Mitreissender, frischer Electro Swing mit Kontrabass und zahlreichen Vocal-, Piano- und Big Band Sequenzen. Groovt und begeistert ! Gut geeignet für Lifestyle, Tanz, Party, Fashion und Werbung!
Entrückte, geheimnisvolle Atmosphäre wie aus einem Lynch-Film. Breite Old school-Synthie-Streicherflächen.
Tanz der Kobolde – lustige, kleine Fantasy-Filmmusik mit Glockenspiel, pizzicato Streichern, Clarinette, Harfe und Percussion.
Wunderschöner und positiver Atmo-Track mit ethnischen Elementen.
Solo Klavier Arpeggios mit traumhaften Harmonien. Leicht melancholisch, aber hoffnungsvoll und inspirierend.
A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.
An emotional mafia tune, featuring, mandolin, accordion, classical guitar and piano. Sad and heartfelt.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
An emotional Italian love song in the style of “the godfather”. Featuring solo violin, mandolin, piano and orchestra.
1898 Gemafreie Musiktitel
5221 (GEMA-Repertoire)