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Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.
Slow and grave, ('Lent et grave'), the third Gymnopedie is perhaps the most heartbreaking. The whole ambience is punctuated by mournful melodies that have become so popular in modern productions.
A waltz for solo piano which conjures up images of Paris and popular song around 1900. The title translates into, 'I Want You', and reflects the sentimental nature of the track. A wonderful backdrop for European productions.
The second Gnossienne has the instruction, 'avec ?tonnement', (with astonishment), to instruct the player to play slightly faster than the other two pieces. Still has lots of space and freedom of expression.
A pensive, foreboding opening builds up to an all-out rock track from about 50 seconds. Retro, Classic hard rock sound, similar to Led Zeppelin etc. Good for sports, extreme sports, action, commercials, motorsports, racing, trailers, sport footage montages, etc. Something different and retro in a very cool way. Check out the Underscore version too, for a different perspective.
The well-known classical music by Ludwig van Beethoven (9th Symphony) in a chamber string arrangement.
Strolling, Wandering, Percolating
The first of Liszt's Liebestraums, (Dreams of love), is a delicate and tender piece. Always light and very spacious it sets the tone for the three works as a whole. Wonderful for romantic segments, weddings and nostalgic memories.
A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.