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Classical Music 3/46

 


    3             >] of 46
668 tracks, not registered with a PRO
469 tracks, registered with a PRO
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The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.

Gymnopedie No.2 has an aura of sombreness about it. 'Lent et triste', (slow and sad), is the instruction to the player. Very atmospheric with a feeling of calm resignation. Huge amounts of space in the composition for thoughtful reflection.

The second Gnossienne has the instruction, 'avec ?tonnement', (with astonishment), to instruct the player to play slightly faster than the other two pieces. Still has lots of space and freedom of expression.

Joyous upbeat waltz for solo classical guitar written around 90 years before a few bars of it became the most popular ringtone in history when used by Nokia in the 1990s. A classic that has become a digital classic!

At that time the clarinet was in a completely different guise than today's, which was only reached in the middle of the 19th century. Nevertheless, Mozart was able to make optimal use of this instrument by drawing original and expressive sounds. The concerto is regarded as one of his best works and is of fundamental importance for clarinet lovers and clarinetists. It was originally composed for Bassettos Horn, an instrument close to Mozart's heart, which he almost always included in his chamber music works and in any case as a soloist: Of the first version, only a well-developed fragment of the only first movement has survived, along with some very incomplete sketches of the second and top movements. The accompanying ensemble is chamber music: oboes, trumpets and trombones are excluded whose timbre could have competed with that of the solo instrument[1]. The clarinet expresses itself with melodies that are sometimes soft, sometimes dramatic, but the tone is always calm. Of the three movements that make up the concerto, the proverb is that in which the melody touches the highest peaks and reaches moments of intimacy and moving melancholy.

668 tracks, not registered with a PRO
469 tracks, registered with a PRO
    3             >] of 46


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