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Classical Piano in the style of a Schumann sonata with orchestral support
A somewhat celtic sounding folk dance tune, Reminescent of medieval ages / middle ages, perhaps a gathering at the local inn, or just the musical backdrop to a historical / fantasy world, Think "Ye Olde Barrel", old England, Ireland or Scotland, Could also be a Pirates' drinking song,
Calm, Heartfelt, Deliberate
Majestic. Sweeping, full orchestral instrumentation. Very emotional piece.. Male vocals compliment our lady, followed by gongs, and a female choir. The song builds up to a climax, then everything calms, a trumpet sounds, and violins sing of victory, sunshine and happiness... calming and powerful at the same time.
A moving classical piano ballad, romantic and historic with tints of nostalgia
Victorian/classical piano piece, delicate, spiritual and reflective piece...excellent for cultural documentary/images
original orchestral track with trip-hop / jazz beats. An interesting blend of styles that creates a tense, cautionary and intriguing sound.
Music from the Movie "Mille Miglia - Spirit of a legend" (2007)
Romantic movie score played by the orchestra, very positive and emotional.
Hot Spot Studio! Not the whole set!
Dreamy guitarswaps in front of a majestic landscape-panorama in the mountains. Romantic feelings guaranteed.
Medieval lute plays for the spring season
A strong and romantic theme played by a full string orchestra.
Love anthem, told in a tender and romantic way, pure piano
The stretching of time, bluuuueeessy ....
Playful flute tones, classical round dance
Best of Classic - Mozart
Introspective, Sentimental, Yearning
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".