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Simple ethnic flute melody.
Mainstream Rap arrangement for shrewd talkovers
This track is very mellow positive waltz with a laid back brushed drum groove, vibraphone, piano and background vocals. It was a nice sunny day when all of the sudden rain drops started falling from the sky lighting up in the still bright sunlight.
Suspenseful, dramatic, ethereal, epic, spacious, moody, atmospheric cinematic rock track that gradually builds in intensity. Starts with dhol drums & various synths join in as it goes. Exciting, tense, thrilling, rhythmically hypnotic & climactic. Would suit action / thriller / sports / combat / crime type projects.
Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
friendly intro, mitivating groove, catchy flute melody in the middle and close to the end, slightly different drum groove at the end
Africana pop. Bouncy African style with jangly guitars, percussion and horn stabs.
Building, Progressive, Confident
Threesomes Trance track, with a sensitive piano hook, dreamy backings and the support of large sparkling synths
A Hot Club of France style jazzy piece where the first 30 seconds are in jazzy ballad style, and then the tempo picks up with acoustic riffing on the 8ths. Charming, warm and irresistable. The underscore and the shorter versions omit the ballad opening and go straight to the main part.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.
Modern and edgy rock track. Strong and confident sound with crunchy guitars and raw sounding drums. Heavy but not over-powering, strong but not dominant. Great for projects looking for a modern sound.