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A light, happy and fresh, upbeat electronica track. Uplifting, inspiring, positive, feelgood music. Great for commercials, infomercials or any other film / presentation.
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums, wah-wah guitar. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more.
XL-track. Driving bass theme in front of a typical Rave beat. Few but effective fills. Disturbing to nebulous, atmospheric background for everything that needs a different kind of attention. Here without vocal fills, and with numerous variations of the original theme.
An introduction of strings and electric guitar leads to a modern country-style guitar riff. Great for funky line dancing and any projects requiring modern country rock music with a slight edge.
Stirring Funk-House, danceable and positive
Groovy Trip Hop with catchy hooks, beautiful fills and strong beat.
Deep-trance with guitar stabs, squelching analogue synths, a pumping bass groove and some psychedelic patterns breaking it up with elements of goatrance. Organic sound. Big lush production.
Back in the Big Time: Breezy and suave. Horns, wah-wah guitar, hip-hop jazz drums and a groovy bass line to boot. Swing beat. Streetwise and very feel-good. Scat vocal on the chorus.