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Deliberate, Ominous, Uncertain
Beautiful piano fantasies, accompanied by gently understated strings. Best of Love Songs.
A hard rock track with a powerful punch and a big pair of cojones. Feelgood, uplifting and positively forward driving and highly suitable for action footage, extreme sports and car racing, powerful football cuts, destruction and mayhem, etc.
The rhythm of the streets
A melancholic and somewhat enchanting piano led ambient track backed up by strings, glockenspiel and synths. A simple piano phrase is gradually added to and developed into a sensitive and rich sounding piece of music. Fantasy, Wonder, Magical, Storytelling.
A civil war marching tune featuring piccolo, flute and many snares. The army marches to the battlefield, great for documentaries.
A playful track with a fun drum groove quirky flute licks piano and bass. Think of shopping at a supermarket or sorting through a variety of products to find what you need. Also has the vibe of freedom and urge to get to some place or waiting for a desired result. Playing at the slots or casino comes to mind. Fun, light, happy, choice waiting
A percussion-only Battle- or Fight track, Urgent drumming on Taiko and other Eastern / Japanese / Tibetan percussion gives the track a Historical feel; perhaps ancient Japan / Oriental / Far East, or Fantasy worlds, Martial Arts, hand to hand combat, fighting and brawling, chase or wild escape, Available in three different tempo options,
Delicious summer time grooves. Acoustic guitar, funky bass, swirley pads and laidback drums.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".