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Uptempo Cajun / Zydeko, with accordeon top line.
Feel-good space rock track somewhere between electronic, rock and progressive music. Fairly mellow and highly melodic, like if you took equal parts Pink Floyd, Tangerine Dream, Vangelis and Mike Oldfield.
Flows pleasantly through space and through time, elegant and with a clear end
Crispy breakbeats with stirring Electro fills and backing vocals. Fast, wild and convincing.
A very happy and uptempo, feelgood pop-dance track. Positively oozing, uplifting vibes. Piano groove, funky clav, occasional brass/horn licks. Joyful and driving.
Short intro for the appearance of the clowns in the circus
A dry and breathy desert rhythm soon gives way to a majestic melody which leads further into dark ambiences and a choir swelling into mystery & mythology. Dark.
The first of Liszt's Liebestraums, (Dreams of love), is a delicate and tender piece. Always light and very spacious it sets the tone for the three works as a whole. Wonderful for romantic segments, weddings and nostalgic memories.
A somewhat celtic sounding folk dance tune, Reminescent of medieval ages / middle ages, perhaps a gathering at the local inn, or just the musical backdrop to a historical / fantasy world, Think "Ye Olde Barrel", old England, Ireland or Scotland, Could also be a Pirates' drinking song,
Fun and bright, feelgood and easy going version, instrumental of the Christmas Classic.
Energetic, happy and lively, 1960’s surf track with guitars drenched in tremolo and reverb, organ, bass, drums and a fun in the sun, beach party vibe.
A Christmas classic played by a music box. Perfect background music for greeting cards or Christmas spots. Elegant and reflective at the same time.
An ominous, majestic and powerful track with live choir and live orchestral instruments cleverly combined with samples and huge, booming percussion. The track starts with threatening ethnic percussion and grows into a gothic, monolithic, spine chilling track. Highly suitable for horror, ritual, fantasy and primal war.
The minor key of this waltz gives the piece a melancholic, almost sad feel. The soloist plays at a medium tempo without straying too far from the initial melody, then a more optimistic section lifts the gloom before it returns to melancholy to finish.