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african soundtrack piece which goes through many different stages throughout it's duration -- from the floating to the rhythmic, from light to dark, from sparse to dense, from the tribal and percussive to the ethereal with drones. There are many different cues in this piece, all contributing to a highly useable African soundscape.
Piano in front of bubbling breakbeats, gently pulls his circle, with strumming synth support, groovy
Very lively trance track. The whispering of Neurons with a hypnotic touch.
The Adventures of Ozzie and Harriet in a classical guitar-pop version
70's inspired funk track featuring a dominant pop /slapping bass guitar, percussion and Hammond organ. Its 1976 - Is it more bad ass than Shaft?
Breakbeats with raspy synths and pulsating surfaces, hard and violent, some short breaks to catch a breath before it goes on, always forward
A delightfully kitsch mid-60's parody with brash horn stabs, Latino rhythms and a flirty, infectious lead line. Evokes the sauciness of the swinging sixties with its bright & bouncy easy listening style. Available with and without the "Sambatastico!" vocal line. Well matched with the Michael Stephen Decker track 'Big Cheese'.
Exciting, edgy and modern. A relentless vision of futurism packed with lo-fi guitar and warped drum layers. The track builds towards an eerie, distant riff that charges full tilt towards a glitchy, fidgety ending. Visceral and oddly compelling.
A very relaxed slapstick and big band number. In the very first part the piano doubled by pizzicato strings introduce the melody, then all string and woodwind players come into play. The middle section is carried by trumpets and trombones and form therefore a B-part which can be also used seperately.
Dark and black, for heavy metal purists.