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Ein sehr langer (61 Minuten) und beruhigender Track für tiefe Entspannung, Hypnose usw. Schwebende, warme Pads durchlaufen verschiedene Stadien und Variationen, mit leichten Variationen in Stimmung/Gefühl während des gesamten Stücks - dies ist nicht einfach die Wiederholung derselben Akkorde und mehr für 61 Minuten. Das Stück verändert und entwickelt sich ständig und bietet mehr als eine Stunde wechselnder, abwechslungsreicher, sanfter/beruhigender Musik. Alles basierend auf warmen, glatten Pads.
The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.
A very popular composition which has been used on countless productions and adverts. A lilting melody above a waltz like accompaniment gets more complex and intense as we're taken on an emotional journey.
Wunderschöner Track für Werbungen oder Image-Filme mit Piano, Vibes und Strings.
Schwereloses, anmutiges Gleiten im Wolkenbett. Verträumter, sphärisch klingender gemischter Chor, ideal für Fantasiereisen und wundervolle Geschichten. Kurze Version mit massiven Hits vor dem Finale.
A piano solo that starts peacefully and delicately before rising to an emotional crescendo, then dropping back to a serene finish. An atmospheric piece that showcases Chopin's mastery of the piano.
One of the most famous pieces of music for solo piano. Despite having the instruction, 'Lent et douloureux', (slow and painfully), this track is referred to for calm, relaxing and meditative purposes. Atmospheric and ambient.
Slow and grave, ('Lent et grave'), the third Gymnopedie is perhaps the most heartbreaking. The whole ambience is punctuated by mournful melodies that have become so popular in modern productions.
The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
Light and calm, this is a wonderful track for tender moments, romance, weddings, sentimental nostalgia and background music .This familiar piano solo by J.S.Bach is from the first book of 'The Well Tempered Clavier'.
weich, entspannt, locker
Komplettes Orchester mit: Glockenspiel, Klavier, Harfe, Schlitten Glocken und Streicher
The second Gnossienne has the instruction, 'avec ?tonnement', (with astonishment), to instruct the player to play slightly faster than the other two pieces. Still has lots of space and freedom of expression.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Wunderschöner und positiver Atmo-Track mit ethnischen Elementen.
Saxofon - hot and dirty, feiner Beat in verrauchter Baratmospähre
friedlich, wehend