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Propeller-electronic drummin!! Moving, driving. Ethnic percussion mixed with synthesizers. Documentary, action, general backgrounds.
This is a long track featuring Tablas played in the unique middle eastern "finger" style, along with Sitars, Thai or Indian Reed flute and a suitably arab sounding 'drone' sound. The track goes through several different stages of various intensities and themes.
A bright, honest and positive feelgood, pop track. Wonderful honest hooks, suitable for commercials, drama, teenage / young adults, family, home hope good vibes are the feelings that his track carries. Be sure to check out the same track without lead vocals.
At that time the clarinet was in a completely different guise than today's, which was only reached in the middle of the 19th century. Nevertheless, Mozart was able to make optimal use of this instrument by drawing original and expressive sounds. The concerto is regarded as one of his best works and is of fundamental importance for clarinet lovers and clarinetists. It was originally composed for Bassettos Horn, an instrument close to Mozart's heart, which he almost always included in his chamber music works and in any case as a soloist: Of the first version, only a well-developed fragment of the only first movement has survived, along with some very incomplete sketches of the second and top movements. The accompanying ensemble is chamber music: oboes, trumpets and trombones are excluded whose timbre could have competed with that of the solo instrument[1]. The clarinet expresses itself with melodies that are sometimes soft, sometimes dramatic, but the tone is always calm. Of the three movements that make up the concerto, the proverb is that in which the melody touches the highest peaks and reaches moments of intimacy and moving melancholy.
A fun, quirky and upbeat cartoon march. Featuring bassoon, tuba, xylophone, bass clarinet, pizzicato strings, glockenspiel and cup mute trumpet.
A delightfully kitsch mid-60's parody with brash horn stabs, Latino rhythms and a flirty, infectious lead line. Evokes the sauciness of the swinging sixties with its bright & bouncy easy listening style. Available with and without the "Sambatastico!" vocal line. Well matched with the Michael Stephen Decker track 'Big Cheese'.
Jazzy soul-funk with big horn lines. Brash, cool, up-front and upbeat. Big band jazz, highly suitable for bright and fun programming, like a quiz show, game show, talk show or any other fun and challenging program, game, presentation, etc.