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Film Music 1/285
Film Music
Typical of film music is that music a) creates a functional and substantial reinforcement of the pictures, or b) assumes an emotional lead role. In contrast to a book, where it is possible for the author to prepare scenes, emotions, moods, etc. throughout several pages, the film director often has only a few minutes for this. Film music helps, therefore, to support the plots development at the mood and emotional levels. Here, the style or arrangement play less of a role.
1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO
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Very rhythmic techno spy tune, featuring lots of synth bass and percussion. For a big action or chase scene.
A wishful female voice with bagpipe and fiddle. Gentle and happy.
The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.
A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.
The first of Liszt's Liebestraums, (Dreams of love), is a delicate and tender piece. Always light and very spacious it sets the tone for the three works as a whole. Wonderful for romantic segments, weddings and nostalgic memories.
Upbeat pirates dance jig featuring fiddle, flute and guitar. Upbeat and happy.
A serene start with beautiful melodies produces a sentimental and loving atmosphere. This contrasts with the more upbeat, almost dance-like passage which in turns into a dramatic, powerful and forceful section before returning to a calm ending. Used widely in advertising and film and TV productions.
A lively, grand and epic orchestral soundtrack suitable for Fantasy, Magic, Sci-fi and Epic trailers, Pompous and eventful, this track features brash and urgent orchestral runs and is available with or without the Choir, Somewhat Harry Potter-esque in style, the track carries a sense of danger and urgency, whilst at the same time feeling excited, amazed, rousing and triumphant,
The Sami, also known as Lapps, are the indegenous people of Northern Scandinavia. Hailing from northern parts of Norway, Sweden, Finland and Russia (the Kola Peninsula), their lives and appearance have a lot in common with Native Americans. Their music is dominated by the unique and easily recognizable Joik (or Yoik) which again lends similarities to the chanting vocal styles of Native American music. It is often accompanied by a simple hand drum beat.
Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.
A waltz for solo piano which conjures up images of Paris and popular song around 1900. The title translates into, 'I Want You', and reflects the sentimental nature of the track. A wonderful backdrop for European productions.
A strong rhythm of deep, ethnic percussion provides the base for this staccato, ominous and glorifying track with a dark fantasy feel. It builds gradually throughout, to a huge and overpowering tidal wave of orchestral brass, strings, war chants and a massive percussion section. Proud and majestic, but with a threatening, malevolent feel, like an army of dark beasts on the eve of war. Maybe even Pirates...
Dark and sombre piece based on strings and piano. Very cinematic piece suitable for any dark, ominous drama or fiction.
Popular and amusing, this piano solo by Dvorak is the most famous of his '8 Humoresques'. A loose and flowing track which has been used in many humorous settings. Great for conveying a little comical, witty or satirical feeling.
1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO