/
Please enable JavaScript to play our music tracks!
Moderately Slow 15/137
1271 tracks, not registered with a PRO
2141 tracks, registered with a PRO
Waveform will be available soon!
All rights reserved. No usage without prior licensing. Please be fair. Thank you!
Rippling, Beckoning, Soothing
For the small and big miracles in life. Gently and restrained, like fairy dust and starlight.
The Sami, also known as Lapps, are the indegenous people of Northern Scandinavia. Hailing from northern parts of Norway, Sweden, Finland and Russia (the Kola Peninsula), their lives and appearance have a lot in common with Native Americans. Their music is dominated by the unique and easily recognizable Joik (or Yoik) which again lends similarities to the chanting vocal styles of Native American music. It is often accompanied by a simple hand drum beat.
A sweet and tender solo piano track. Few heartfelt notes, like raindrops on the water. Gentle and light, with a naïve and innocent undertone as well as a melancholic and reflective side. Romantic, loving, peaceful and beautiful piano music.
A simple, heartening solo piano melody. Reflective, mellow, sparse and impressionistic. Sweet and romantic, yet also wistful and thoughtful. Perhaps a little clarity 'Through the Forest' of our busy, hustle-bustle lives? Or a child in need of help - this track has many potential media uses.
Evocative, reflective and thoughtful piece featuring sparse ethnic percussion, soft pads and slide guitar. Backround track suitable for travel, documentary, cultural, reflection.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Full orchestra, choir, atmospheric harmonies
1271 tracks, not registered with a PRO
2141 tracks, registered with a PRO