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Bouncy, Elated, Bright
A very haunting and worrysome latin musette waltz with a beautiful melody and moving harmony featuring piano, accordion, guitar, bass, drums and percussion.
An upbeat, open and airy orchestral soundtrack with a magical, majestic feel. Good for soaring panoramic images, nautical and aviation footage, inspiring presentations, joyful retrospective montages, romance or any positive, uplifting media project.
A melancholic and somewhat enchanting piano led ambient track backed up by strings, glockenspiel and synths. A simple piano phrase is gradually added to and developed into a sensitive and rich sounding piece of music. Fantasy, Wonder, Magical, Storytelling.
Mysterious, yet playful, this track is relaxed, fun and intriguing. Creates a somewhat contemplative mood, but has enough energy throughout to keep it upbeat and mischievous.
Film scores: World Mystery / Ethnic
Latino!.. pop latin music fit for sunny movie in countries as Miami or Cuba,Fiesta y sol,happy party and sun.I used piano and brass ensamble.
This track is very mellow positive waltz with a laid back brushed drum groove, vibraphone, piano and background vocals. It was a nice sunny day when all of the sudden rain drops started falling from the sky lighting up in the still bright sunlight.
Dangerous, Intimidating, Perilous
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.