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der Moment davor, Spannung einmal anders erzeugt, ohne Pathos dafür nachhaltig beeindruckend, feinsinnig und trotzdem klar und auf den Punkt gebracht, für alles geeignet was eine gute Ankündigung verdient
The most famous of Liszt's Liebestraums. A popular melody which flows along with grace and elegance. Widely used in advertising, films and TV, this loving and emotional piece is perfect for giving an emotional and intense sensitivity to all projects and productions.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
A modern pop, rock crossover track combining guitars, piano and synths, this track has a warm, friendly and universal appeal to it. Not to hard, not too soft, this blend is just right for those looking for something that has a little edge but doesn't take over too much.
Delicate and tender, this beautiful track conveys a longing hopefulness with a slight melancholic tinge. Slow and graceful, this was the very first work in the 'Lyric Pieces' first book by Grieg who regarded it as one of his finest melodies.
Sonne, Meer und fröhliche Menschen - was braucht man mehr für eine karibische Strandparty?
Entspannter und gefühlvoller Chillout. Magische Atmosphäre.
Entspannter, Ambient Piano Track mit vereinzelten akustischen Gitarren und sanften Pads. Melancholisch, zärtlich, impressionistisch, einladend. Zeit für ruhiges Nachdenken. Semi-Klassik, errinnert an die Werke von Erik Satie und Brian Eno. Auch als Alternativ-Version ohne Pads erhältlich, nur mit Piano und Gitarre.
Instantly recognisable, this beautiful work by Debussy is calm and soothing yet is intensely emotional in places. French for 'moonlight', this track is relaxing, reflective and simply delightful.
Moderner Pop-Rock, der direkt ins Ohr geht. Motiviert, jung und sehr flexibel einsetzbar!
So meditiert man in Brasilien, fröhlich, verspielt, die Sängerin trällert Lebensfreude pur
Gymnopedie No.2 has an aura of sombreness about it. 'Lent et triste', (slow and sad), is the instruction to the player. Very atmospheric with a feeling of calm resignation. Huge amounts of space in the composition for thoughtful reflection.
Ein ruhiger und sehr emotionaler Song, getragen von Piano, Akustik-Gitarre, Pads und leichten Percussions. Positiv und mitfühlend.
One of the most famous pieces of music for solo piano. Despite having the instruction, 'Lent et douloureux', (slow and painfully), this track is referred to for calm, relaxing and meditative purposes. Atmospheric and ambient.
Beautiful melodies glide with effortless grace at the start of this famous Chopin piano solo. It becomes more intense before a soft ending. Used in many productions such as the James Bond film 'The Spy Who Loved Me'.
Einfacher, klarer und reduzierter pulsierender Technik Lounge Track ohne Drums. Space Chillout für innovative Talkover Dreams.
Relaxed, ambient piano track with occasional acoustic guitar notes and soft pads. Melancholic, tender, impressionistic, inviting. A time for quiet reflection. Semi-classical.
Slow, ('Lent' in French), and free-flowing, this track evokes an almost daydream like state. This is the first of three works to be given the name Gnossienne name by Erik Satie to reflect this new style of composition.