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Kids tune with a catchy melody, groovy bassline and a fun and friendly arrangement, childrens music.
Like a car race between high-speed junkies, breathless, always forward, apart from brief pit stops
Like a car race between high-speed junkies, breathless, always forward, apart from brief pit stops. A version that plays with the tension.
Cool, slick and slightly retro styled, the sound is inspired by classic TV detective series and spy films, setting the scene for danger, crime, mystery, police, international agents and beautiful ladies. The horns secure the complete image. And it' funky, too!
A short 1950's style rockabilly track in the sound of 'Rock Around the Clock', etc.
Irish, celtic or medieval background piece. Drone and recorder / irish flute, with windchimes. Memories of Ireland or home lands. Ambient.
Just like the title says, a good and proper piece of pompous Circus music.
A beggars flute merrily expresses the old wisdom that money alone brings no happiness. But this track do....
This is a long track featuring Tablas played in the unique middle eastern "finger" style, along with Sitars, Thai or Indian Reed flute and a suitably arab sounding 'drone' sound. The track goes through several different stages of various intensities and themes.
Slow paced, soothing relaxation track featuring airy pads, few piano notes, and ethereal acoustic guitar arpeggios. Suitable for relaxation, yoga, reiki, healing, spa treatment, pilates, meditation, etc.
The Sami, also known as Lapps, are the indegenous people of Northern Scandinavia. Hailing from northern parts of Norway, Sweden, Finland and Russia (the Kola Peninsula), their lives and appearance have a lot in common with Native Americans. Their music is dominated by the unique and easily recognizable Joik (or Yoik) which again lends similarities to the chanting vocal styles of Native American music. It is often accompanied by a simple hand drum beat.
Fat and funky Deep-house. Plenty of synth arpeggios, forward driving bass line and subtle wah wah guitars. Occasional whispers and sweeps bring atmosphere. Strong sense of movement and drive. Great for skydiving, sports, extreme sports, technology, hi-tech science, development, futuristic corporate statement, flight and space travel, and much more. Also available in an Underscore version which is more cut-down and bare.
A strong, uplifting and positive electronic track with a good forward drive. A sense of movement, future and technology. The addition of a few acoustic guitar chords in the mix gives the whole production a sparkle and a lift. Free spirited and high flying, suitable for hi-tech, sports, fun and dancing, and more.
Melodic Instrumental Rock, soft and slightly melancholic. Very catchy.
Far-Eastern feel with Chinese/Tibetan cymbals, monk choirs. Moods go from light to dark, through mysterious, majestic, then back to light.
A warm, sweet and comforting goodnight song with acoustic guitar.
An earthy, folk'y, laid-back and easy going outdoor / nature track featuring acoustic guitars and piano. Happy and light hearted, but in a relaxed way. Can be nature, fishing, hiking, rambling, camping, just having fun outdoors. Available both with and without the Didgeridoo.
A gloomy, doom laden, pensive underscore for action thriller, sci-fi, mystery and horror. Nervous, dark ambient, pulsating rhythms and sneaky / suspicious sounds. Serious / Exotic / Mystical. Can be an ethnic place, or general dark / ominous ambience. Also available in a "No Drums" version which has a more ambient / dark background / ethereal feel.
Mid- to up-tempo electronic groove with a good, solid, determined forward drive. Not too light, not too dark, this track keeps a good energy level without being over-the-top and cruises along at a steady 132 BPM with a nice, juicy tech beat. Hints of electric guitar to spice it up. Interspersed with reverberant piano melodies. Good for sports, timelapse, driving, cityscapes, movement, activity, determination, feelgood energy.
Sparse, dark ambient track, like a derelict factory or underground parking house where danger lurks. Sneaky, slightly metallic feel. Useful for horror or thriller material.
Back in the Big Time: Breezy and suave. Horns, wah-wah guitar, hip-hop jazz drums and a groovy bass line to boot. Swing beat. Streetwise and very feel-good. Scat vocal on the chorus.